1. Cinema: The Georeligious Aesthetic
  2. S. Brent Plate
  3. pp. 203-205
  4. DOI: 10.1353/cro.2020.0018
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  1. Nollywood and Pentecostalism: Preaching Salvation, Propagating the Supernatural
  2. Chijioke Azuawusiefe
  3. pp. 206-219
  4. DOI: 10.1353/cro.2020.0019
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  1. Film as a Ritual of Seeing Beyond the Visible: The Case of Manshin: Ten Thousand Spirits (2013)
  2. Hwasun Choe
  3. pp. 220-232
  4. DOI: 10.1353/cro.2020.0020
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  1. “As They Really Are”: The World Outlook of Protestant-Sponsored Mission Films, 1930–1950
  2. April Makgoeng
  3. pp. 233-247
  4. DOI: 10.1353/cro.2020.0021
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  1. Parasite as Parable: Bong Joon-Ho’s Cinematic Capitalism
  2. Minjung Noh
  3. pp. 248-262
  4. DOI: 10.1353/cro.2020.0022
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  1. People on the Move: Religion, Film and Migration
  2. Daria Pezzoli-Olgiati
  3. pp. 263-275
  4. DOI: 10.1353/cro.2020.0023
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  1. Once the Buddha Was Born as Keanu Reeves: The Shaping of Buddhism in American Film and Popular Culture
  2. Sharon A. Suh
  3. pp. 276-288
  4. DOI: 10.1353/cro.2020.0024
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  1. Resurrection, Remediation, and Religious Fundamentalism in Contemporary Indian Sci-Fi/Fantasy Films
  2. Anu Thapa
  3. pp. 289-301
  4. DOI: 10.1353/cro.2020.0025
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  1. Making a Way Out of No Way: Black Faith in Barry Jenkins’s If Beale Street Could Talk
  2. Joe Tolbert Jr.
  3. pp. 302-309
  4. DOI: 10.1353/cro.2020.0026
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  1. Souvenirs of the Apocalypse: Guns as Authenticating Props
  2. Rachel Wagner
  3. pp. 310-321
  4. DOI: 10.1353/cro.2020.0027
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  1. Contributors
  2. pp. 322-323
  3. DOI: 10.1353/cro.2020.0028
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