1. ISSUE INFORMATION
  2. pp. 1-4
  3. DOI: 10.1353/tyr.2019.0118
  4. restricted access contents
  1. Editor's Note
  2. MEGHAN O'ROURKE
  3. pp. 5-6
  4. DOI: 10.1353/tyr.2019.0140
  5. restricted access contents
  1. In Centennial: The only ones left alive
  2. Cathy Park Hong
  3. pp. 7-13
  4. DOI: 10.1353/tyr.2019.0135
  5. restricted access contents
  1. First Snow
  2. Aria Aber
  3. pp. 14-15
  4. DOI: 10.1353/tyr.2019.0139
  5. restricted access contents
  1. Nostos
  2. Aria Aber
  3. pp. 16-17
  4. DOI: 10.1353/tyr.2019.0126
  5. restricted access contents
  1. Hades
  2. Aria Aber
  3. p. 18
  4. DOI: 10.1353/tyr.2019.0141
  5. restricted access contents
  1. Loss: When yearning is pleasure
  2. Sarah Manguso
  3. pp. 19-23
  4. DOI: 10.1353/tyr.2019.0154
  5. restricted access contents
  1. A Common Seagull: On making art, mourning, and Pierre Bonnard
  2. Sheila Heti
  3. pp. 24-35
  4. DOI: 10.1353/tyr.2019.0138
  5. restricted access contents
  1. Husband and Wife During the Nightly News
  2. Idra Novey
  3. pp. 36-37
  4. DOI: 10.1353/tyr.2019.0137
  5. restricted access contents
  1. Consuelo Kanaga
  2. pp. 38-39
  3. DOI: 10.1353/tyr.2019.0151
  4. restricted access contents
  1. Breathing Exercise
  2. Raven Leilani
  3. pp. 40-50
  4. DOI: 10.1353/tyr.2019.0149
  5. restricted access contents
  1. Sting
  2. Kevin Young
  3. pp. 51-52
  4. DOI: 10.1353/tyr.2019.0119
  5. restricted access contents
  1. Halter
  2. Kevin Young
  3. pp. 53-54
  4. DOI: 10.1353/tyr.2019.0124
  5. restricted access contents
  1. Ghosts in My Nursery: How do you mourn a brother you never knew?
  2. Miranda Featherstone
  3. pp. 55-79
  4. DOI: 10.1353/tyr.2019.0121
  5. restricted access contents
  1. Changing My Mind: On sources, revisions, and order
  2. Lydia Davis
  3. pp. 80-94
  4. DOI: 10.1353/tyr.2019.0130
  5. restricted access contents
  1. Still to Love: For J. D. McClatchy
  2. Langdon Hammer
  3. pp. 95-111
  4. DOI: 10.1353/tyr.2019.0125
  5. restricted access contents
  1. Ceremony
  2. Margaret Ross
  3. pp. 118-119
  4. DOI: 10.1353/tyr.2019.0122
  5. restricted access contents
  1. Greenish Picture
  2. Margaret Ross
  3. pp. 120-122
  4. DOI: 10.1353/tyr.2019.0153
  5. restricted access contents
  1. Blood
  2. Margaret Ross
  3. pp. 123-126
  4. DOI: 10.1353/tyr.2019.0129
  5. restricted access contents
  1. Bent Lyre
  2. Sandra Lim
  3. p. 127
  4. DOI: 10.1353/tyr.2019.0128
  5. restricted access contents
  1. The Stronger
  2. Sandra Lim
  3. pp. 128-129
  4. DOI: 10.1353/tyr.2019.0127
  5. restricted access contents
  1. San Francisco
  2. Sandra Lim
  3. p. 130
  4. DOI: 10.1353/tyr.2019.0143
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  1. Sestina Where Every End Word Is Lyndon Johnson
  2. Sasha Debevec‐McKenney
  3. pp. 131-132
  4. DOI: 10.1353/tyr.2019.0115
  5. restricted access contents
  1. When I Met Sharon Olds She Told Me to Write A Poem About LBJ's Penis
  2. Sasha Debevec‐McKenney
  3. pp. 133-134
  4. DOI: 10.1353/tyr.2019.0133
  5. restricted access contents
  1. The Hell Test (Seven Springs)
  2. Daniel Poppick
  3. pp. 135-143
  4. DOI: 10.1353/tyr.2019.0117
  5. restricted access contents
  1. Don't Let Me Down
  2. Sarah Trudgeon
  3. pp. 144-145
  4. DOI: 10.1353/tyr.2019.0120
  5. restricted access contents
  1. For Alain
  2. Anaïs Duplan
  3. pp. 146-147
  4. DOI: 10.1353/tyr.2019.0131
  5. restricted access contents
  1. Information Desk
  2. Robyn Schiff
  3. pp. 148-164
  4. DOI: 10.1353/tyr.2019.0116
  5. restricted access contents
  1. Save the Pedestals
  2. Ivan Vladislavić
  3. pp. 165-184
  4. DOI: 10.1353/tyr.2019.0132
  5. restricted access contents
  1. Leviathan
  2. Vidyan Ravinthiran
  3. p. 185
  4. DOI: 10.1353/tyr.2019.0155
  5. restricted access contents
  1. Worry
  2. Vidyan Ravinthiran
  3. p. 186
  4. DOI: 10.1353/tyr.2019.0145
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  1. Ben Lerner: On writing, boundary blurring, and magic pills
  2. Catherine Barnett
  3. pp. 187-208
  4. DOI: 10.1353/tyr.2019.0134
  5. restricted access contents
  1. The Skin You're In: On living in—and losing—a body
  2. Molly McCully Brown
  3. pp. 209-214
  4. DOI: 10.1353/tyr.2019.0152
  5. restricted access contents
  1. Stereopticon: Twelve ways of looking at my mother
  2. Emily Bernard
  3. pp. 215-229
  4. DOI: 10.1353/tyr.2019.0113
  5. restricted access contents
  1. Study of Two Figures (Agave/Pentheus)
  2. Monica Youn
  3. pp. 230-235
  4. DOI: 10.1353/tyr.2019.0148
  5. restricted access contents
  1. Broken Doll: A daughter's suicide in another country
  2. Carlos Manuel Álvarez
  3. pp. 236-251
  4. DOI: 10.1353/tyr.2019.0142
  5. restricted access contents
  1. Furious Permissions: For Susan Sontag, style was nourishment
  2. Brian Dillon
  3. pp. 254-270
  4. DOI: 10.1353/tyr.2019.0146
  5. restricted access contents
  1. Styles of Radical Illness: Anne Boyer diagnoses the lies we still tell about cancer
  2. Laura Kolbe
  3. pp. 271-281
  4. DOI: 10.1353/tyr.2019.0147
  5. restricted access contents
  1. The Dolphin Letters: Revisiting Robert Lowell's infamous book
  2. Dan Chiasson
  3. pp. 282-298
  4. DOI: 10.1353/tyr.2019.0114
  5. restricted access contents
  1. San Francisco, 1956: A photograph and its afterlife
  2. Jim Lewis
  3. pp. 299-307
  4. DOI: 10.1353/tyr.2019.0123
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  1. Contributors
  2. pp. 308-311
  3. DOI: 10.1353/tyr.2019.0136
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  1. Back Matter
  2. p. 312
  3. DOI: 10.1353/tyr.2019.0144
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