1. EARTH – PLANET – UNIVERSE
  2. Terry Tempest Williams
  3. pp. 1-9
  4. DOI: 10.1353/tyr.2017.0096
  5. restricted access contents
  1. MODERN DANCE CERTIFICATE
  2. Clive James
  3. pp. 10-11
  4. DOI: 10.1353/tyr.2017.0085
  5. restricted access contents
  1. FRONT FLIP HALF TWIST
  2. Clive James
  3. p. 12
  4. DOI: 10.1353/tyr.2017.0039
  5. restricted access contents
  1. PANIS ANGELICUS
  2. Clive James
  3. p. 13
  4. DOI: 10.1353/tyr.2017.0027
  5. restricted access contents
  1. INITIAL OUTLAY
  2. Clive James
  3. pp. 14-15
  4. DOI: 10.1353/tyr.2017.0119
  5. restricted access contents
  1. DECLARATION OF INTENT
  2. Clive James
  3. pp. 16-17
  4. DOI: 10.1353/tyr.2017.0070
  5. restricted access contents
  1. JANE AUSTEN AND THE COMIC TRADITION
  2. Ken Ludwig
  3. pp. 18-30
  4. DOI: 10.1353/tyr.2017.0058
  5. restricted access contents
  1. CLOUDS AND MOON
  2. Margaret Gibson
  3. pp. 31-32
  4. DOI: 10.1353/tyr.2017.0062
  5. restricted access contents
  1. BIRD MAN, 1911
  2. Dolores Hayden
  3. p. 33
  4. DOI: 10.1353/tyr.2017.0077
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  1. SOME TREES, 1947 – 1949: JOHN ASHBERY AT HARVARD
  2. Karin Roffman
  3. pp. 34-54
  4. DOI: 10.1353/tyr.2017.0125
  5. restricted access contents
  1. DOMESTIC SCENES
  2. Devin Johnston
  3. pp. 55-56
  4. DOI: 10.1353/tyr.2017.0066
  5. restricted access contents
  1. ANNABELLE
  2. Devin Johnston
  3. p. 57
  4. DOI: 10.1353/tyr.2017.0122
  5. restricted access contents
  1. THE SINKHOLE
  2. Devin Johnston
  3. pp. 58-59
  4. DOI: 10.1353/tyr.2017.0047
  5. restricted access contents
  1. EARLY NOVEMBER
  2. Devin Johnston
  3. p. 60
  4. DOI: 10.1353/tyr.2017.0080
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  1. THE MIDDLE SEAT
  2. Elise Paschen
  3. p. 61
  4. DOI: 10.1353/tyr.2017.0124
  5. restricted access contents
  1. BALSAM
  2. Alexandria Peary
  3. p. 62
  4. DOI: 10.1353/tyr.2017.0054
  5. restricted access contents
  1. “BUT AT LAST, TODAY, / I REMEMBERED THAT HILL”: THE IMPERATIVES OF MEMORY IN ANTHONY HECHT
  2. Geoffrey Lindsay
  3. pp. 63-87
  4. DOI: 10.1353/tyr.2017.0050
  5. restricted access contents
  1. RHYTHM OF TIME
  2. A. F. Moritz
  3. pp. 88-89
  4. DOI: 10.1353/tyr.2017.0113
  5. restricted access contents
  1. NAME MY TIME OF DEATH AND SEE WHAT I DO TO YOU
  2. Max Ritvo
  3. pp. 90-91
  4. DOI: 10.1353/tyr.2017.0127
  5. restricted access contents
  1. REUSABLE TRUTHS
  2. Irving Feldman
  3. pp. 92-99
  4. DOI: 10.1353/tyr.2017.0074
  5. restricted access contents
  1. ISSUE INFORMATION
  2. p. NA
  3. DOI: 10.1353/tyr.2017.0087
  4. restricted access contents
  1. LITTLE WINDS
  2. Adam Giannelli
  3. pp. 100-103
  4. DOI: 10.1353/tyr.2017.0107
  5. restricted access contents
  1. THANKS TO LEIBNIZ, PUTATIVE FATHER OF TOPOLOGY
  2. Laura Kolbe
  3. pp. 104-105
  4. DOI: 10.1353/tyr.2017.0030
  5. restricted access contents
  1. IMAGINING MARRIAGE, #36
  2. Laura Kolbe
  3. pp. 106-107
  4. DOI: 10.1353/tyr.2017.0101
  5. restricted access contents
  1. TUNNEL OF LOVE
  2. Jean McGarry
  3. pp. 108-153
  4. DOI: 10.1353/tyr.2017.0020
  5. restricted access contents
  1. COMES THE RECKONING
  2. Bruce Beasley
  3. pp. 154-155
  4. DOI: 10.1353/tyr.2017.0103
  5. restricted access contents
  1. THE BARGAIN
  2. Steven Gehrke
  3. pp. 156-157
  4. DOI: 10.1353/tyr.2017.0110
  5. restricted access contents
  1. A COCTEAU FOR OUR TIME
  2. Vincent Giroud
  3. pp. 158-163
  4. DOI: 10.1353/tyr.2017.0091
  5. restricted access contents
  1. FICTION IN REVIEW
  2. David Galef
  3. pp. 164-170
  4. DOI: 10.1353/tyr.2017.0024
  5. restricted access contents
  1. POETRY IN REVIEW
  2. Willard Spiegelman
  3. pp. 171-185
  4. DOI: 10.1353/tyr.2017.0043
  5. restricted access contents
  1. MUSIC IN REVIEW
  2. Timothy Young
  3. pp. 186-192
  4. DOI: 10.1353/tyr.2017.0115
  5. restricted access contents
  1. CONTRIBUTORS
  2. pp. 193-195
  3. DOI: 10.1353/tyr.2017.0035
  4. restricted access contents