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Table of Contents

  1. THE CASE FOR WONDER: A MEDITATION
  2. Wyn Wachhorst
  3. pp. 1-9
  4. DOI: https://doi.org/10.1353/tyr.2017.0034
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  1. TURNING THE COMPOST ON THE LAST DAY OF THE YEAR
  2. Karl Kirchwey
  3. p. 10
  4. DOI: https://doi.org/10.1353/tyr.2017.0117
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  1. ROMA CITTÀ APERTA
  2. Karl Kirchwey
  3. p. 11
  4. DOI: https://doi.org/10.1353/tyr.2017.0068
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  1. BLOOD AND LIGHT
  2. Karl Kirchwey
  3. pp. 12-13
  4. DOI: https://doi.org/10.1353/tyr.2017.0012
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  1. OXFORD ENGLISH IN THE SIXTIES
  2. Alastair Fowler
  3. pp. 14-22
  4. DOI: https://doi.org/10.1353/tyr.2017.0060
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  1. MURDER AND MAYHEM IN MIAMI
  2. Chase Twichell
  3. p. 23
  4. DOI: https://doi.org/10.1353/tyr.2017.0088
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  1. THE WORDS OF HIS DEMENTIA
  2. Chase Twichell
  3. p. 24
  4. DOI: https://doi.org/10.1353/tyr.2017.0038
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  1. HER ASHES
  2. Chase Twichell
  3. p. 25
  4. DOI: https://doi.org/10.1353/tyr.2017.0052
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  1. DIRECTING DEMOCRACY
  2. Frances McCall Rosenbluth, Ian Shapiro
  3. pp. 26-35
  4. DOI: https://doi.org/10.1353/tyr.2017.0056
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  1. CORRESPONDENCES AND AFFINITIES
  2. Mary Maxwell
  3. pp. 36-49
  4. DOI: https://doi.org/10.1353/tyr.2017.0032
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  1. SUMMER EVENING IN NEW ENGLAND
  2. Randy Blasing
  3. p. 50
  4. DOI: https://doi.org/10.1353/tyr.2017.0022
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  1. GRIEFS, NOT GRIEVANCES: JOHANN WOLFGANG VON GOETHE, ANTHONY HECHT, AND CONTEXTS FOR AN ACT OF TRANSLATION
  2. Vincent Kling
  3. pp. 51-68
  4. DOI: https://doi.org/10.1353/tyr.2017.0120
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  1. INDEPENDENCE DAY
  2. Ernest Hilbert
  3. pp. 69-70
  4. DOI: https://doi.org/10.1353/tyr.2017.0086
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  1. TWO VERSIONS OF ORPHEUS: EDGAR BOWERS AND THOM GUNN
  2. Timothy Steele
  3. pp. 71-103
  4. DOI: https://doi.org/10.1353/tyr.2017.0098
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  1. ISSUE INFORMATION
  3. p. NA
  4. DOI: https://doi.org/10.1353/tyr.2017.0049
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  1. WUNDERBAR
  2. Jeredith Merrin
  3. p. 104
  4. DOI: https://doi.org/10.1353/tyr.2017.0015
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  1. JARDIN DU POÈTE
  2. Moira Egan
  3. p. 105
  4. DOI: https://doi.org/10.1353/tyr.2017.0078
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  1. BELIEF AND SUNBURN IN THE WEIGHT ROOM
  2. Bruce Fleming
  3. pp. 106-118
  4. DOI: https://doi.org/10.1353/tyr.2017.0106
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  1. THE PHOTOGRAPHER FEASTS UPON HIS DISH OF COLD‐METAL LIPS
  2. Mary Donnelly
  3. p. 119
  4. DOI: https://doi.org/10.1353/tyr.2017.0112
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  1. SHEET MUSIC
  2. Laura Romeyn
  3. p. 120
  4. DOI: https://doi.org/10.1353/tyr.2017.0109
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  1. DYING THE DAY PRINCE DIED
  2. David Yezzi
  3. p. 121
  4. DOI: https://doi.org/10.1353/tyr.2017.0063
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  1. MOUNT AUBURN STREET
  2. John Crowley
  3. pp. 122-140
  4. DOI: https://doi.org/10.1353/tyr.2017.0104
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  1. JACARANDAS IN ALBANY
  2. Alan Williamson
  3. p. 141
  4. DOI: https://doi.org/10.1353/tyr.2017.0082
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  1. SELF‐PORTRAIT AT FIFTY‐SIX
  2. Fleming Meeks
  3. pp. 142-145
  4. DOI: https://doi.org/10.1353/tyr.2017.0102
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  1. THE UNKNOWN IS STILL WINNING: THE VOYNICH MANUSCRIPT
  2. James Trilling
  3. pp. 146-153
  4. DOI: https://doi.org/10.1353/tyr.2017.0044
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  1. FICTION IN REVIEW
  2. Marta Figlerowicz
  3. pp. 154-161
  4. DOI: https://doi.org/10.1353/tyr.2017.0018
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  1. POETRY IN REVIEW
  2. Stephen Burt
  3. pp. 162-179
  4. DOI: https://doi.org/10.1353/tyr.2017.0073
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  1. RECORDINGS IN REVIEW
  2. Dewey Faulkner
  3. pp. 180-193
  4. DOI: https://doi.org/10.1353/tyr.2017.0094
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  1. CONTRIBUTORS
  3. pp. 194-196
  4. DOI: https://doi.org/10.1353/tyr.2017.0028
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