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In this Issue

Table of Contents

  1. FROM THE EDITOR
  2. J.D. McClatchy
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/tyr.2017.0090
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  1. BALANCING ACTS
  2. Nicholas Hytner
  3. pp. 3-16
  4. DOI: https://doi.org/10.1353/tyr.2017.0105
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  1. ENDINGS
  2. Robert Mezey
  3. p. 17
  4. DOI: https://doi.org/10.1353/tyr.2017.0061
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  1. IN TEXAS: VARIATIONS ON A THEME OF BORGES
  2. Robert Mezey
  3. p. 18
  4. DOI: https://doi.org/10.1353/tyr.2017.0123
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  1. THE ART OF POETRY
  2. Robert Mezey
  3. pp. 19-20
  4. DOI: https://doi.org/10.1353/tyr.2017.0079
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  1. MAKING AS METAPHOR: THE SCULPTURE OF NATALIE CHARKOW AND MANUEL NERI
  2. Lincoln Perry
  3. pp. 21-32
  4. DOI: https://doi.org/10.1353/tyr.2017.0019
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  1. FOOTPRINTS
  2. Rachel Hadas
  3. pp. 33-34
  4. DOI: https://doi.org/10.1353/tyr.2017.0111
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  1. DIAGNOSTIC RADIOLOGY
  2. Rachel Hadas
  3. p. 35
  4. DOI: https://doi.org/10.1353/tyr.2017.0118
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  1. MY READING HABIT
  2. Paula Marantz Cohen
  3. pp. 36-41
  4. DOI: https://doi.org/10.1353/tyr.2017.0121
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  1. NOVEMBER
  2. Barry Sternlieb
  3. p. 42
  4. DOI: https://doi.org/10.1353/tyr.2017.0010
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  1. THE SALT LICK
  2. Scott High Tower
  3. pp. 43-44
  4. DOI: https://doi.org/10.1353/tyr.2017.0126
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  1. A PANIC OF BATS
  2. David Bottoms
  3. p. 45
  4. DOI: https://doi.org/10.1353/tyr.2017.0093
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  1. JEW
  2. Anne Fadiman
  3. pp. 46-57
  4. DOI: https://doi.org/10.1353/tyr.2017.0084
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  1. THE DRESS CODE
  2. Caitlin Doyle
  3. p. 58
  4. DOI: https://doi.org/10.1353/tyr.2017.0100
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  1. WISH
  2. Caitlin Doyle
  3. p. 59
  4. DOI: https://doi.org/10.1353/tyr.2017.0036
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  1. THE UNKNOWN POET
  2. Jean Ross Justice
  3. pp. 60-69
  4. DOI: https://doi.org/10.1353/tyr.2017.0057
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  1. THE NO‐POND HERMIT
  2. Nicholas Friedman
  3. pp. 70-71
  4. DOI: https://doi.org/10.1353/tyr.2017.0075
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  1. UNDARK
  2. Nicholas Friedman
  3. p. 72
  4. DOI: https://doi.org/10.1353/tyr.2017.0008
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  1. PRESENTLY
  2. Brian Wickers
  3. p. 73
  4. DOI: https://doi.org/10.1353/tyr.2017.0114
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  1. A SHORT HISTORY OF CONDUCTING
  2. John Mauceri
  3. pp. 74-87
  4. DOI: https://doi.org/10.1353/tyr.2017.0065
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  1. THE WOMAN TAKEN IN ADULTERY
  2. Charles Martin
  3. p. 88
  4. DOI: https://doi.org/10.1353/tyr.2017.0026
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  1. TORSO MADRIGAL
  2. Lisa Russ Spaar
  3. p. 89
  4. DOI: https://doi.org/10.1353/tyr.2017.0097
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  1. MURMUR
  2. Wille Aves
  3. pp. 90-107
  4. DOI: https://doi.org/10.1353/tyr.2017.0069
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  1. ISSUE INFORMATION
  2. p. NA
  3. DOI: https://doi.org/10.1353/tyr.2017.0045
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  1. THE PROBLEM OF TIME
  2. Edmund Keeley
  3. pp. 108-109
  4. DOI: https://doi.org/10.1353/tyr.2017.0016
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  1. SPECTACLE
  2. Jack Anderson
  3. p. 110
  4. DOI: https://doi.org/10.1353/tyr.2017.0072
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  1. NIGHT‐GAUNTS
  2. Joyce Carol Oates
  3. pp. 111-149
  4. DOI: https://doi.org/10.1353/tyr.2017.0023
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  1. HER CAPRICORN QUONDAM COMPAÑERO
  2. Jim Powell
  3. p. 150
  4. DOI: https://doi.org/10.1353/tyr.2017.0013
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  1. PERILOUS EQUATIONS
  2. Edison Miyawaki
  3. pp. 151-158
  4. DOI: https://doi.org/10.1353/tyr.2017.0128
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  1. PROSE AND POLITICS
  2. Molly McQuade
  3. pp. 159-171
  4. DOI: https://doi.org/10.1353/tyr.2017.0116
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  1. FICTION IN REVIEW
  2. David Galef
  3. pp. 172-176
  4. DOI: https://doi.org/10.1353/tyr.2017.0048
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  1. POETRY IN REVIEW
  2. Stephen Yenser
  3. pp. 177-185
  4. DOI: https://doi.org/10.1353/tyr.2017.0051
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  1. RECORDINGS IN REVIEW
  2. Timothy Young
  3. pp. 186-194
  4. DOI: https://doi.org/10.1353/tyr.2017.0108
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  1. CONTRIBUTORS
  2. pp. 195-197
  3. DOI: https://doi.org/10.1353/tyr.2017.0031
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  1. INDEX TO VOLUME 105
  2. pp. 198-203
  3. DOI: https://doi.org/10.1353/tyr.2017.0041
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