1. ON WANTING TO SAY: [SPOKEN SLOWLY, BY A POORLY RECEIVED WRITER TO A POET]
  2. William H. Gass
  3. pp. 1-5
  4. DOI: 10.1353/tyr.2016.0016
  5. restricted access contents
  1. TWISTER
  2. Stephen Edgar
  3. pp. 6-7
  4. DOI: 10.1353/tyr.2016.0069
  5. restricted access contents
  1. SUNDAY MIRROR
  2. Stephen Edgar
  3. pp. 8-9
  4. DOI: 10.1353/tyr.2016.0005
  5. restricted access contents
  1. THE ILIAD, AN AFFAIR OF HONOR
  2. Steven B. Smith
  3. pp. 10-31
  4. DOI: 10.1353/tyr.2016.0026
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  1. THE BICKERS
  2. Mary Jo Salter
  3. pp. 32-34
  4. DOI: 10.1353/tyr.2016.0031
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  1. PASTRY LEVEL
  2. Mary Jo Salter
  3. pp. 35-36
  4. DOI: 10.1353/tyr.2016.0003
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  1. THE LONGEST POEM IN THE ENGLISH LANGUAGE
  2. James Longenbach
  3. pp. 37-60
  4. DOI: 10.1353/tyr.2016.0006
  5. restricted access contents
  1. LETTER TO LAREN
  2. Stanley Moss
  3. pp. 61-62
  4. DOI: 10.1353/tyr.2016.0062
  5. restricted access contents
  1. WET PAINT
  2. Stanley Moss
  3. pp. 63-64
  4. DOI: 10.1353/tyr.2016.0035
  5. restricted access contents
  1. FRIENDSHIP, TIME, AND THE SABBATH
  2. Ronald A. Sharp
  3. pp. 65-83
  4. DOI: 10.1353/tyr.2016.0070
  5. restricted access contents
  1. THE RIGHT FIT FOR SURE
  2. Richard Howard
  3. pp. 84-85
  4. DOI: 10.1353/tyr.2016.0012
  5. restricted access contents
  1. THE LAST PAGE
  2. Molly McQuade
  3. pp. 86-87
  4. DOI: 10.1353/tyr.2016.0010
  5. restricted access contents
  1. ON SITUATING SYLVIA TOWNSEND WARNER: HOW (NOT) TO BECOME A “CLASSIC” WRITER
  2. Elizabeth Powers
  3. pp. 88-100
  4. DOI: 10.1353/tyr.2016.0019
  5. restricted access contents
  1. LOSS
  2. Jean Ross Justice
  3. p. 101
  4. DOI: 10.1353/tyr.2016.0004
  5. restricted access contents
  1. SOME COMFORT IN A SMALLER FIELD OF VISION
  2. Leslie McGrath
  3. p. 102
  4. DOI: 10.1353/tyr.2016.0049
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  1. THE SHOW OPENS TOMORROW
  2. Deborah Garrison
  3. p. 103
  4. DOI: 10.1353/tyr.2016.0002
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  1. WISH
  2. Deborah Garrison
  3. p. 104
  4. DOI: 10.1353/tyr.2016.0000
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  1. EYE OF TYLOR
  2. Gerald Majer
  3. pp. 105-119
  4. DOI: 10.1353/tyr.2016.0052
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  1. CÉZANNE
  2. Morri Creech
  3. pp. 120-123
  4. DOI: 10.1353/tyr.2016.0007
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  1. ANEW ENGLISH GRAMMAR
  2. Jeff Dolven
  3. pp. 124-126
  4. DOI: 10.1353/tyr.2016.0057
  5. restricted access contents
  1. THE REAL THING
  2. Sheila Kohler
  3. pp. 127-142
  4. DOI: 10.1353/tyr.2016.0043
  5. restricted access contents
  1. VENASQUE
  2. Mary Stewart Hammond
  3. pp. 143-148
  4. DOI: 10.1353/tyr.2016.0039
  5. restricted access contents
  1. FICTION IN REVIEW
  2. Greg Johnson
  3. pp. 149-153
  4. DOI: 10.1353/tyr.2016.0075
  5. restricted access contents
  1. POETRY IN REVIEW: RANGE, BETTS, DELANTY, GRINNELL, COHEN, FOSTER
  2. Stephen Burt
  3. pp. 154-168
  4. DOI: 10.1353/tyr.2016.0001
  5. restricted access contents
  1. RECORDINGS IN REVIEW: THE NEW TRADITIONALISTS
  2. Timothy Young
  3. pp. 169-175
  4. DOI: 10.1353/tyr.2016.0022
  5. restricted access contents
  1. FILM IN REVIEW: SWINGERS AND SURFERS
  2. Charles Taylor
  3. pp. 176-185
  4. DOI: 10.1353/tyr.2016.0060
  5. restricted access contents
  1. CONTRIBUTORS
  2. pp. 186-188
  3. DOI: 10.1353/tyr.2016.0008
  4. restricted access contents
  1. INDEX TO VOLUME 104
  2. pp. 189-193
  3. DOI: 10.1353/tyr.2016.0078
  4. restricted access contents