1. Introduction
  2. Lucy Caplan, Kristen M. Turner
  3. pp. 5-12
  4. DOI: 10.1353/ams.2020.0022
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  1. The Mound Bayou Demonstrator: Black Memory at the Margins and the Means of Cultural Production
  2. Janet Kong-Chow
  3. pp. 13-31
  4. DOI: 10.1353/ams.2020.0023
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  1. “To Help Enlighten Our People”: ‘Theater Folk’ and Stage Advice Columns in the 1920s Chicago Defender
  2. Michelle R. Scott
  3. pp. 55-76
  4. DOI: 10.1353/ams.2020.0025
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  1. Race Women, Crisis Maids, and NAACP Sweethearts: Gender and the Visual Culture of the NAACP in the Early Twentieth Century
  2. Susan Bragg
  3. pp. 77-98
  4. DOI: 10.1353/ams.2020.0026
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  1. “I was Anti-Everything”: Cartoonist Jackie Ormes and the Comics as a Site of Progressive Black Journalism
  2. H. Zahra Caldwell
  3. pp. 99-120
  4. DOI: 10.1353/ams.2020.0027
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  1. The Cartoons of Ollie Harrington, the Black Left, and the African American Press During the Jim Crow Era
  2. James Smethurst, Rachel Rubin
  3. pp. 121-141
  4. DOI: 10.1353/ams.2020.0028
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  1. Notes on Contributors
  2. pp. 143-144
  3. DOI: 10.1353/ams.2020.0029
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