1. Introduction: Some Practical And Ethical Considerations For Integrating Digital Humanities And Music Pedagogy
  2. Francesca Giannetti
  3. pp. 503-508
  4. DOI: 10.1353/not.2021.0038
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  1. An Open Access Scholarly Encyclopedia for Music: A Call to Action
  2. Peter Shirts
  3. pp. 509-518
  4. DOI: 10.1353/not.2021.0036
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  1. Behind the Times? Digital Research Methods and the Music Classroom
  2. Timothy Duguid
  3. pp. 519-538
  4. DOI: 10.1353/not.2021.0037
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  1. Design Sprints and Direct Experimentation: Digital Humanities + Music Pedagogy at A Small Liberal Arts College
  2. Cal Murgu, Mark Dancigers, Emma Solloway
  3. pp. 561-585
  4. DOI: 10.1353/not.2021.0043
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  1. Notes For Notes
  2. pp. 586-589
  3. DOI: 10.1353/not.2021.0032
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  1. Musical Salon Culture in the Long Nineteenth Century ed. by Anja Bunzel and Natasha Loges (review)
  2. Sarah Tomasewski
  3. pp. 590-593
  4. DOI: 10.1353/not.2021.0053
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  1. Rubble Music: Occupying the Ruins of Postwar Berlin, 1945–1950 by Abby Anderton (review)
  2. Max Erwin
  3. pp. 593-595
  4. DOI: 10.1353/not.2021.0028
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  1. Musical Authorship from Schütz to Bach by Stephen Rose (review)
  2. Samuel J. Brannon
  3. pp. 595-598
  4. DOI: 10.1353/not.2021.0041
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  1. Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice by Jane D. Hatter (review)
  2. Karen M. Cook
  3. pp. 598-601
  4. DOI: 10.1353/not.2021.0048
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  1. Adapting "The Wizard of Oz": Musical Versions from Baum to MGM and Beyond ed. by Danielle Birkett and Dominic McHugh (review)
  2. Alex Bádue
  3. pp. 601-604
  4. DOI: 10.1353/not.2021.0034
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  1. Moonlighting: Beethoven and Literary Modernism by Nathan Waddell (review)
  2. Alexander Carpenter
  3. pp. 604-607
  4. DOI: 10.1353/not.2021.0049
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  1. Beethoven's Lives: The Biographical Tradition by Lewis Lockwood (review)
  2. Geoffrey Block
  3. pp. 607-610
  4. DOI: 10.1353/not.2021.0033
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  1. Aaron Copland and the American Legacy of Gustav Mahler by Matthew Mugmon (review)
  2. Shih-Ni Prim
  3. pp. 610-613
  4. DOI: 10.1353/not.2021.0051
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  1. Strauss by Laurenz Lütteken (review)
  2. Patricia Josette Prokert
  3. pp. 613-616
  4. DOI: 10.1353/not.2021.0052
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  1. Which Side Are You On?: 20th Century American History in 100 Protest Songs by James Sullivan (review)
  2. Chris Durman
  3. pp. 619-620
  4. DOI: 10.1353/not.2021.0046
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  1. Organ-Building in Georgian and Victorian England: The Work of Gray & Davison, 1772–1890 by Nicholas Thistlethwaite (review)
  2. Allison A. Alcorn
  3. pp. 621-624
  4. DOI: 10.1353/not.2021.0029
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  1. Henry Cow: The World Is a Problem by Benjamin Piekut (review)
  2. Robert B. Freeborn
  3. pp. 624-626
  4. DOI: 10.1353/not.2021.0027
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  1. British Music after Britten by Arnold Whittall (review)
  2. Justin Vickers
  3. pp. 626-628
  4. DOI: 10.1353/not.2021.0054
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  1. The Pianist's Dictionary by Maurice Hinson and Wesley Roberts (review)
  2. Donald Manildi
  3. pp. 628-631
  4. DOI: 10.1353/not.2021.0050
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  1. Books Recently Published
  2. James Procell, Matthew Ertz
  3. pp. 632-634
  4. DOI: 10.1353/not.2021.0031
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  1. The Public Domain Song Anthology ed. by David Berger, Chuck Israels (review)
  2. Mikkel Vad
  3. pp. 635-640
  4. DOI: 10.1353/not.2021.0045
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  1. Field Mass by Bohuslav Martinů, and: Concerto da camera by Bohuslav Martinů (review)
  2. Marcos Stuardo
  3. pp. 644-648
  4. DOI: 10.1353/not.2021.0040
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  1. Music Received
  2. Kathleen A. Abromeit
  3. pp. 649-654
  4. DOI: 10.1353/not.2021.0042
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  1. Index To Advertisers
  2. p. 656
  3. DOI: 10.1353/not.2021.0039
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  1. Cumulative Index to Advertisers Volume 77
  2. p. 672
  3. DOI: 10.1353/not.2021.0055
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  1. Index to Volume 77: September 2020 through June 2021
  2. Martin D. Jenkins
  3. pp. 673-680
  4. DOI: 10.1353/not.2021.0030
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