1. ¿A quién se dirige Diario de Djelfa, de Max Aub? Un análisis del destinatario lírico
  2. Goretti Ramírez
  3. pp. 129-148
  4. DOI: 10.1353/hir.2021.0010
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  1. De reliquias fantasmagóricas: la fábula de Ángelo y Klaus o Tras el cristal (1986) como emblema de trauma
  2. Carmen Moreno-Díaz
  3. pp. 149-168
  4. DOI: 10.1353/hir.2021.0011
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  1. Duelo, escritura de la vida y memoria en Canción de tumba (2011) de Julián Herbert
  2. Iván Pérez Daniel
  3. pp. 169-191
  4. DOI: 10.1353/hir.2021.0012
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  1. Orphans of Orpheus: Music Lost and Regained in Spanish Golden Age Poetry
  2. Lorena Uribe Bracho
  3. pp. 193-216
  4. DOI: 10.1353/hir.2021.0013
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  1. Posverdad como "superhistoria" de la Guerra Civil Española en El monarca de las sombras, de Javier Cercas
  2. Sergio Restrepo Mesa
  3. pp. 217-235
  4. DOI: 10.1353/hir.2021.0014
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  1. Immaculate Conceptions: The Power of the Religious Imagination in Early Modern Spain by Rosilie Hernández (review)
  2. Laura Keyt
  3. pp. 239-243
  4. DOI: 10.1353/hir.2021.0016
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  1. Despertarse de Europa: arte, literatura, euroescepticismo by Luis Martín-Estudillo (review)
  2. Marta Manrique-Gómez
  3. pp. 243-246
  4. DOI: 10.1353/hir.2021.0017
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  1. Books Received
  2. pp. 247-248
  3. DOI: 10.1353/hir.2021.0018
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