1. From Ecosystem to Echo System
  2. Diana Ayton-Shenker
  3. p. 158
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  1. The Virtual Artist's Book as a Space for Curatorial Experiments: The Acropolis Remix Project
  2. Celina F. Lage
  3. pp. 161-165
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  1. Computational Art: Inspired by Genome Browsers
  2. Martin Calvino
  3. pp. 172-175
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  1. Interactive Design of Random Aesthetic Abstract Textures by Composition Principles
  2. Luis Alvarez, Nelson Monzón, Jean-Michel Morel
  3. pp. 179-184
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  1. Linking Science and Technology with Arts and the Next Generation: The STEAM Imaging Experimental Artist Residency, A Case Study
  2. Bianka Hofmann
  3. pp. 185-190
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  1. Guerilla Science: Mixing Science with Art, Music and Play in Unusual Settings
  2. Mark Rosin, Jen Wong, Kari O'Connell, Martin Storksdieck, Brianna Keys
  3. pp. 191-195
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  1. Biomorphic protein Art: The Ensemble of Aesthetic Intuition and Scientific Intelligence in Protein Structures
  2. Jongcheon Shin, Joonsung Yoon
  3. pp. 196-201
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  1. Art-Science Collaborations: Why Do They Matter to Medicine?
  2. Caroline Wellbery
  3. pp. 202-205
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  1. Ambiguus Tiles: Origami Rhombic Pyramid Tiles for Creating Dual-View Tile Mosaics
  2. Hyunjung Kim, Myeongseong Kim, Yujin Lee
  3. pp. 206-207
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  1. Crude Illumination: A Crude Oil Art Inspection
  2. Elia Vargas, Danielle Siembieda
  3. pp. 208-209
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  1. An Alchemy of DNA: Exploring The Chemistry of Biology Through Bioart
  2. Anna Dumitriu, Robert K. Neely
  3. pp. 210-211
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  1. Manipulating Stem Cells in New Media Labs: Developing A Protocol Template Toward an Innovative Understanding of Cancer
  2. Diaa Ahmed Mohamed Ahmedien
  3. pp. 212-214
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  1. O-Tū-Kapua (What Clouds See): A Mixed Reality Exploration of Atmospheric Science
  2. Guy Coulson, Susan Jowsey, Marcus Williams, Gustavo Olivares
  3. pp. 215-219
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  1. Mobile Communications Technologies in Tree Time: The Listening Wood
  2. Leah Lovett, Duncan Hay, Andy Hudson-Smith, Martin de Jode
  3. pp. 220-221
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  1. Music and Sound Art
  2. p. 222
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  1. Sonifying Data: For the Art, for the Science and for What Lies Between
  2. Mark Ballora
  3. pp. 223-227
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  1. TRaNsMOGRiFiER: Fictional Narratives as Catalyst for Experimental Instrument-Building and Musical/Artistic Collaboration
  2. John R. Ferguson, Peter Bussigel
  3. pp. 228-233
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  1. Performing WIKI-PIANO.NET: Strategies for Realizing Alexander Schubert's Ever-Changing Internet-Composed Piano Work
  2. Zubin Kanga
  3. pp. 234-241
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  1. Finding Art and the Art of Finding: O que vos nunca cuidei a dizer
  2. André Rabello Mestre, Claudia Núñez-Pacheco, Mauricio Carrasco
  3. pp. 242-246
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  1. Archives Sonores de la Poésie ed. by Abigail Lang et al. (review)
  2. Jan Baetens
  3. pp. 248-249
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  1. Sustaining Resources for Tomorrow ed. by Jacqueline A. Stagner and David S.-K. Ting (review)
  2. Robert Maddox-Harle
  3. pp. 249-250
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  1. En Cas de Malheur de Simenon À Autant-Lara (1956–1958). Essai de Génétique ScénAristique by Alain Boillat (review)
  2. Jan Baetens
  3. pp. 250-252
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  1. Blue: The History of A Color by Michel Pastoureau (review)
  2. Giovanna L. Costantini
  3. pp. 252-253
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  1. Isherwood in Transit ed. by James J. Berg and Chris Freeman (review)
  2. Jan Baetens
  3. pp. 253-254
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  1. A New History of the Future in 100 Objects by Adrian Hon (review)
  2. John F. Barber
  3. pp. 254-255
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  1. The Eyelid by S.D. Chrostowska (review)
  2. Allan Graubard
  3. pp. 256-257
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  1. Handmade Pixels: Independent Video Games and the Quest for Authenticity by Jesper Juul (review)
  2. James Sweeting
  3. pp. 257-259
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  1. Virtual Reality by Samuel Greengard (review)
  2. Mike Mosher
  3. pp. 259-260
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  1. Marcel Duchamp and the Art of Life by Jacquelynn Baas (review)
  2. Edith Doove
  3. p. 260
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  1. American Steam Locomotives: Design and Development, 1880–1960 by William L. Withuhn (review)
  2. John F. Barber
  3. p. 261
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  1. Leonardo Reviews Online
  2. p. 262
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  1. Leonardo Network News
  2. pp. 263-264
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