In this Issue

Table of Contents

Editor’s Note

Kimberly M. Jew
pp. ix-xiii
DOI: https://doi.org/10.1353/fro.2021.0000
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Interview with Charly Evon Simpson

Trey McEuen, Charly Evon Simpson
pp. 1-6
DOI: https://doi.org/10.1353/fro.2021.0001
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Interview with Harris Smith

Nadia Sine, Harris Smith
pp. 7-12
DOI: https://doi.org/10.1353/fro.2021.0002
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Interview with Nikki Yeboah

Kalista Vordos, Nikki Yeboah
pp. 13-18
DOI: https://doi.org/10.1353/fro.2021.0003
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Interview with Martine Kei Green-Rogers

Stacey Haslam, Martine Kei Green-Rogers
pp. 19-26
DOI: https://doi.org/10.1353/fro.2021.0004
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“Blood at the Root”: Cultural Abjection and Thwarted Desire in the Lynching Plays and Poetry of Angelina Weld Grimké

K. Allison Hammer
pp. 27-57
DOI: https://doi.org/10.1353/fro.2021.0005
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Postindustrial Futurities in Contemporary Black Feminist Theater: Lynn Nottage’s Sweat, Dominique Morisseau’s Skeleton Crew, and Lisa Langford’s The Art of Longing

Julie Burrell
pp. 58-91
DOI: https://doi.org/10.1353/fro.2021.0006
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Sensing History’s Hold: Touch and Black Queer Representation after Moynihan

Darius Bost
pp. 92-108
DOI: https://doi.org/10.1353/fro.2021.0007
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Play (Loudly): The Racialized Erotics of Blacksound in Spike Lee’s Do the Right Thing

Gabriel A. Peoples
pp. 109-140
DOI: https://doi.org/10.1353/fro.2021.0008
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Posin’ a Threat: Countering the Colonial Project from Jay-Z’s “Moonlight” to the US Senate

Leticia Ridley
pp. 141-160
DOI: https://doi.org/10.1353/fro.2021.0009
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Flyin’ High in Flyin’ West: Representing Nineteenth-Century African American Women in Performance

Kristyl D. Tift
pp. 161-177
DOI: https://doi.org/10.1353/fro.2021.0010
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“Here We Are”: Ogoni Women’s Nonviolent Resistance

Domale Dube Keys
pp. 178-203
DOI: https://doi.org/10.1353/fro.2021.0011
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From Hawaiʻi to Okinawa: Confronting Militarization, Healing Trauma, Strengthening Solidarity

Kim Compoc, Joy Lehuanani Enomoto, Kasha Hoʻokili Ho
pp. 204-224
DOI: https://doi.org/10.1353/fro.2021.0012
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