1. Spotlight: The SCMS Latino/a Caucus
  2. Vinodh Venkatesh, Arcelia Gutiérrez, Orquidea Morales, Crystal Camargo
  3. pp. 1-4
  4. DOI: 10.1353/cj.2021.0023
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  1. Spotlight: Q&A with Black Caucus Co- Chairs Nsenga Burton and Mark Cunningham
  2. Samantha Sheppard, Nsenga Burton, Mark Cunningham
  3. pp. 5-8
  4. DOI: 10.1353/cj.2021.0024
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  1. Sporting Sensations: Béla Balázs and the Bergfilm Camera Operator
  2. Katie Bird
  3. pp. 9-36
  4. DOI: 10.1353/cj.2021.0025
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  1. Licking for the Nation: Auntie Genealogies in Apichatpong Weerasethakul’s Rak ti Khon Kaen
  2. Iggy Cortez
  3. pp. 37-61
  4. DOI: 10.1353/cj.2021.0026
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  1. Slower Cinema: Violence, Affect, and Spectatorship in Las elegidas
  2. Olivia Cosentino
  3. pp. 62-82
  4. DOI: 10.1353/cj.2021.0027
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  1. Pocahontas and Settler Colonialism in Early Film, 1907– 1910
  2. Agata Frymus
  3. pp. 83-103
  4. DOI: 10.1353/cj.2021.0028
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  1. Unfinished Bodies: The Sticky Materiality of Prosthetic Effects
  2. Kartik Nair
  3. pp. 104-128
  4. DOI: 10.1353/cj.2021.0029
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  1. Reading the Marvel Cinematic Universe: The Avengers’ Intertextual Aesthetic
  2. James C. Taylor
  3. pp. 129-156
  4. DOI: 10.1353/cj.2021.0030
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  1. Theorizing Region: Film and Video Cultures in Southeast Asia
  2. Philippa Lovatt, Jasmine Nadua Trice
  3. pp. 158-162
  4. DOI: 10.1353/cj.2021.0031
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  1. Topos, Historia, Islas: Film Islands and Regional Cinemas
  2. Patrick F. Campos
  3. pp. 163-168
  4. DOI: 10.1353/cj.2021.0032
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  1. Centering Peripheries: The Return of Regionalism in Indonesian Independent Cinema
  2. Dag Yngvesson
  3. pp. 169-175
  4. DOI: 10.1353/cj.2021.0033
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  1. The Acoustics of the Archipelagic Imagination in Southeast Asian Artists’ Film
  2. Philippa Lovatt
  3. pp. 176-181
  4. DOI: 10.1353/cj.2021.0034
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  1. The Cinematic Forest and Southeast Asian Cinema
  2. Graiwoot Chulphongsathorn
  3. pp. 182-187
  4. DOI: 10.1353/cj.2021.0035
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  1. Performing Region in Southeast Asian Film Industries
  2. Jasmine Nadua Trice
  3. pp. 188-193
  4. DOI: 10.1353/cj.2021.0036
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  1. Films for the Colonies: Cinema and the Preservation of the British Empire by Tom Rice (review)
  2. James Burns
  3. pp. 196-199
  4. DOI: 10.1353/cj.2021.0037
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  1. The Process Genre: Cinema and the Aesthetic of Labor by Salomé Aguilera Skvirsky (review)
  2. Juan Llamas-Rodriguez
  3. pp. 200-203
  4. DOI: 10.1353/cj.2021.0038
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  1. Where Histories Reside: India as Filmed Space by Priya Jaikumar (review)
  2. Pamela Robertson Wojcik
  3. pp. 204-208
  4. DOI: 10.1353/cj.2021.0039
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