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Table of Contents

  1. The Romance of Criticism
  2. Joel M. Childers
  3. pp. 1-26
  4. DOI: https://doi.org/10.1353/nlh.2021.0000
  5. restricted access
  1. Future Perfect History: Historiography and Republican Space-Time in French Revolutionary Theater
  2. Cecilia Feilla
  3. pp. 27-51
  4. DOI: https://doi.org/10.1353/nlh.2021.0001
  5. restricted access
  1. Jane Austen, Secret Celebrity, and Mass Eroticism
  2. David Kurnick
  3. pp. 53-75
  4. DOI: https://doi.org/10.1353/nlh.2021.0002
  5. restricted access
  1. The Sorceress’s Apprentice: Roland Barthes and the Criticism of Magic
  2. John Lurz
  3. pp. 77-94
  4. DOI: https://doi.org/10.1353/nlh.2021.0003
  5. restricted access
  1. Recognizing Class
  2. Rita Felski
  3. pp. 95-117
  4. DOI: https://doi.org/10.1353/nlh.2021.0004
  5. restricted access
  1. Anne Bradstreet, Arsonist?
  2. Ana Schwartz
  3. pp. 119-143
  4. DOI: https://doi.org/10.1353/nlh.2021.0005
  5. restricted access
  1. Ajnabi, Or the Xenological Uncanny in Iranian Modernism
  2. Kayvan Tahmasebian, Rebecca Ruth Gould
  3. pp. 145-168
  4. DOI: https://doi.org/10.1353/nlh.2021.0006
  5. restricted access
  1. Futures Past: Prophecy, Periodization, and Reinhart Koselleck
  2. Eric Weiskott
  3. pp. 169-188
  4. DOI: https://doi.org/10.1353/nlh.2021.0007
  5. restricted access
  1. Contributors
  3. pp. 189-190
  4. DOI: https://doi.org/10.1353/nlh.2021.0008
  5. restricted access