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Table of Contents

  1. Bill Irwin's Clowning: Zany Labor of the "Physical Intellect"
  2. Dave Peterson
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/cdr.2020.0000
  5. restricted access
  1. The Rhetoric of Wounds in Coriolanus; or, a Tragedy of Renaissance Rhetoric
  2. Jaspreet S. Tambar
  3. pp. 27-49
  4. DOI: https://doi.org/10.1353/cdr.2020.0001
  5. restricted access
  1. "Art against art": Sentimentality, Mid-Century Drama, and the North American Crises
  2. Denys Van Renen
  3. pp. 51-72
  4. DOI: https://doi.org/10.1353/cdr.2020.0002
  5. restricted access
  1. Undoing Shakespearean Temperance
  2. Maurice Hunt
  3. pp. 73-95
  4. DOI: https://doi.org/10.1353/cdr.2020.0003
  5. restricted access
  1. The Kindness of Strangers: Tennessee Williams's A Streetcar Named Desire on the Chinese Stage
  2. Wei Zhang, Shouha Qi
  3. pp. 97-115
  4. DOI: https://doi.org/10.1353/cdr.2020.0004
  5. restricted access
  1. The Mortal Voice in the Tragedies of Aeschylus by Sarah Nooter (review)
  2. Adriana Brook
  3. pp. 117-120
  4. DOI: https://doi.org/10.1353/cdr.2020.0005
  5. restricted access
  1. Ruins: Classical Theater and Broken Memory. Theater: Theory/Text/Performance by Odai Johnson (review)
  2. Krishni Burns
  3. pp. 120-123
  4. DOI: https://doi.org/10.1353/cdr.2020.0006
  5. restricted access
  1. Shakespeare's Two Playhouses: Repertory and Theatre Space at the Globe and the Blackfriars, 1599-1613 by Sarah Dustagheer (review)
  2. Tom Rutter
  3. pp. 123-126
  4. DOI: https://doi.org/10.1353/cdr.2020.0007
  5. restricted access
  1. Contributors
  3. pp. 127-129
  4. DOI: https://doi.org/10.1353/cdr.2020.0008
  5. restricted access