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Table of Contents

  1. Preface
  2. Leslie Ellen Brown
  3. p. xi
  4. DOI: https://doi.org/10.1353/sec.1990.0000
  5. restricted access
  1. Chardin and the Domestic Sublime
  2. Jack Undank
  3. pp. 3-22
  4. DOI: https://doi.org/10.1353/sec.1990.0002
  5. restricted access
  1. Dryden's Nobly Ignoble Heroine: Sigismonda from Fables
  2. Cedric D. Reverand II
  3. pp. 23-37
  4. DOI: https://doi.org/10.1353/sec.1990.0003
  5. restricted access
  1. Emmagrammatology
  2. Grant I. Holly
  3. pp. 39-51
  4. DOI: https://doi.org/10.1353/sec.1990.0004
  5. restricted access
  1. Bookselling and Canon-Making: The Trade Rivalry over the English Poets, 1776–1783
  2. Thomas F. Bonnell
  3. pp. 53-69
  4. DOI: https://doi.org/10.1353/sec.1990.0005
  5. restricted access
  1. Durazzo, Duni, and the Frontispiece to Orfeo ed Euridice
  2. Bruce Alan Brown
  3. pp. 71-97
  4. DOI: https://doi.org/10.1353/sec.1990.0006
  5. restricted access
  1. The Libertine Sublime: Love and Death in Restoration England
  2. James Grantham Turner
  3. pp. 99-115
  4. DOI: https://doi.org/10.1353/sec.1990.0007
  5. restricted access
  1. The Secrets of Genteel Identity in The Man of Mode: Comedy of Manners vs. the Courtesy Book
  2. Susan Staves
  3. pp. 117-128
  4. DOI: https://doi.org/10.1353/sec.1990.0008
  5. restricted access
  1. Derrida, Rousseau, and the Difference
  2. Aram Vartanian
  3. pp. 129-151
  4. DOI: https://doi.org/10.1353/sec.1990.0009
  5. restricted access
  1. The "Heart" of Midlothian: Jeanie Deans as Narrator
  2. Mary Anne Schofield
  3. pp. 153-164
  4. DOI: https://doi.org/10.1353/sec.1990.0010
  5. restricted access
  1. Gibbon among the Aeolists: Islamic Credulity and Pagan Fanaticism in The Decline and Fall
  2. Thomas Jemielity
  3. pp. 165-183
  4. DOI: https://doi.org/10.1353/sec.1990.0011
  5. restricted access
  1. "Soft Figures" and "a Paste of Composition Rare": Pope, Swift, and Memory
  2. Melinda Alliker Rabb
  3. pp. 185-195
  4. DOI: https://doi.org/10.1353/sec.1990.0012
  5. restricted access
  1. Gender and Race in Yarico's Epistles to Inkle: Voicing the Feminine/Slave
  2. Martin Wechselblatt
  3. pp. 197-223
  4. DOI: https://doi.org/10.1353/sec.1990.0013
  5. restricted access
  1. History as Monument: Gibbon’s Decline and Fall
  2. Frank Palmeri
  3. pp. 225-245
  4. DOI: https://doi.org/10.1353/sec.1990.0014
  5. restricted access
  1. A Prince’s Sojourn in Eighteenth-Century Canada
  2. Frederick A. Hall
  3. pp. 247-266
  4. DOI: https://doi.org/10.1353/sec.1990.0015
  5. restricted access
  1. Time in Rasselas: Johnson's Use of Locke's Concept
  2. Regina Hewitt
  3. pp. 267-276
  4. DOI: https://doi.org/10.1353/sec.1990.0016
  5. restricted access
  1. Aphra Behn in Search of the Novel
  2. Rose A. Zimbardo
  3. pp. 277-287
  4. DOI: https://doi.org/10.1353/sec.1990.0017
  5. restricted access
  1. Discourses of Sexual Difference: Beau Wilson and the Mythologies of Homosexual Love
  2. G. S. Rousseau
  3. pp. 289-323
  4. DOI: https://doi.org/10.1353/sec.1990.0018
  5. restricted access
  1. Zealous in the Cause of Liberty: Self-Creation and Redemption in the Narrative of Ethan Allen
  2. Daniel E. Williams
  3. pp. 325-347
  4. DOI: https://doi.org/10.1353/sec.1990.0019
  5. restricted access
  1. Pygmalion's Dream in Herder's Aesthetics, or Male Narcissism as the Model for Bildung
  2. Dorothea E. von Mücke
  3. pp. 349-365
  4. DOI: https://doi.org/10.1353/sec.1990.0020
  5. restricted access
  1. The Review in Desfontaines's Nouvelliste du Parnasse: The Development of Literary Criticism
  2. Paul Benhamou
  3. pp. 367-381
  4. DOI: https://doi.org/10.1353/sec.1990.0021
  5. restricted access
  1. Just When Did "British bards begin t'lmmortalize"?
  2. Trevor Ross
  3. pp. 383-398
  4. DOI: https://doi.org/10.1353/sec.1990.0022
  5. restricted access
  1. Restoration and Repression: The Language Projects of the Royal Society
  2. Joel Reed
  3. pp. 399-412
  4. DOI: https://doi.org/10.1353/sec.1990.0023
  5. restricted access
  1. Approaches to Narrative and History: The Case of the Donation of September 7, 1789 and its Images
  2. Vivian P. Cameron
  3. pp. 413-432
  4. DOI: https://doi.org/10.1353/sec.1990.0024
  5. restricted access
  1. Contributors to Volume 19
  3. pp. 433-435
  4. DOI: https://doi.org/10.1353/sec.1990.0025
  5. restricted access
  1. Index of Names
  3. pp. 445-452
  4. DOI: https://doi.org/10.1353/sec.1990.0001
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