1. “The Scientist of the Holy Ghost”: Sunspring and Reading Nonsense
  2. Jonathan Cohn
  3. pp. 1-21
  4. DOI: 10.1353/cj.2021.0017
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  1. Unique Doubles: Ornamental Sisters and Dual Roles in the Transitional Era Cinema
  2. Ruth Mayer
  3. pp. 22-47
  4. DOI: 10.1353/cj.2021.0018
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  1. Re-imagining a Queer Indigenous Past: Affective Archives and Minor Gestures in the Sámi Documentary Sparrooabbán
  2. Katariina Kyrölä, Tuija Huuki
  3. pp. 75-98
  4. DOI: 10.1353/cj.2021.0020
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  1. Observational Secular: Religion and Documentary Film in the United States
  2. Kathryn Lofton
  3. pp. 99-120
  4. DOI: 10.1353/cj.2021.0021
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  1. Black Panther Transmedia: The Revolution Will Not Be Streamed
  2. Niels Niessen
  3. pp. 121-149
  4. DOI: 10.1353/cj.2021.0022
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  1. Reach Out and Watch Someone: Televisuality, Gender, and the Short Life of the Picturephone
  2. Hannah Spaulding
  3. pp. 150-173
  4. DOI: 10.1353/cj.2021.0059
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  1. The Bonneville Power Administration Film Archives: Ecologies of Infrastructural Media from 1939 to the Present
  2. Adam Diller
  3. pp. 174-196
  4. DOI: 10.1353/cj.2021.0058
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  1. Painful Games, Sporting Practices, and Enduring Masculinities
  2. Josef Nguyen
  3. pp. 197-216
  4. DOI: 10.1353/cj.2021.0060
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  1. Selling Sonic Girlhood: Feminizing Indie Rock through Music Supervision on MTV’s Awkward
  2. Alyxandra Vesey
  3. pp. 217-242
  4. DOI: 10.1353/cj.2021.0061
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