In this Issue

Table of Contents

In Memoriam: John H. Stroupe (1935–2019)

pp. 173-174
DOI: https://doi.org/10.1353/cdr.2019.0016
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Actor Mindreading: Cognitive Processes Underpinning Theories and Practices of European Stage Acting in the Eighteenth Century

Dalit Milshtein, Avishai Henik
pp. 175-200
DOI: https://doi.org/10.1353/cdr.2019.0017
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Trans* Historical Drama: Bodily Congruence in Beaumont, Fletcher, and Massinger's Love's Cure and Taylor Mac's Hir

Huw Griffiths
pp. 201-222
DOI: https://doi.org/10.1353/cdr.2019.0018
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"Multidirectional" Shakespeare: Heiner Müller, Anatomy Titus: Fall of Rome, a Shakespeare Commentary, Postcolonialism and the Holocaust

Richard Ashby
pp. 223-261
DOI: https://doi.org/10.1353/cdr.2019.0019
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Two Lamentable Tragedies and True Crime Publics in Early Modern Domestic Tragedy

Sheila Coursey
pp. 263-286
DOI: https://doi.org/10.1353/cdr.2019.0020
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Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama by Eleanor Johnson (review)

Clifford Davidson
pp. 287-290
DOI: https://doi.org/10.1353/cdr.2019.0021
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Acting Up: Staging the Subject in Enlightenment France by Jeffrey M. Leichman (review)

Mechele Leon
pp. 290-293
DOI: https://doi.org/10.1353/cdr.2019.0022
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The Urban Plays of the Early Abbey Theatre: Beyond O'Casey by Elizabeth Mannion (review)

Patrick Lonergan
pp. 293-296
DOI: https://doi.org/10.1353/cdr.2019.0023
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Shakespeare's Big Men: Tragedy and the Problem of Resentment by Richard van Oort (review)

Andrew Moore
pp. 297-299
DOI: https://doi.org/10.1353/cdr.2019.0024
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Vision and Audience in Medieval Drama: A Study of The Castle of Perseverance by Andrea Louise Young (review)

Matthew Sergi
pp. 299-302
DOI: https://doi.org/10.1353/cdr.2019.0025
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Contributors

pp. 303-304
DOI: https://doi.org/10.1353/cdr.2019.0026
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