1. In Memoriam: John H. Stroupe (1935–2019)
  2. pp. 173-174
  3. DOI: 10.1353/cdr.2019.0016
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  1. Trans* Historical Drama: Bodily Congruence in Beaumont, Fletcher, and Massinger's Love's Cure and Taylor Mac's Hir
  2. Huw Griffiths
  3. pp. 201-222
  4. DOI: 10.1353/cdr.2019.0018
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  1. Two Lamentable Tragedies and True Crime Publics in Early Modern Domestic Tragedy
  2. Sheila Coursey
  3. pp. 263-286
  4. DOI: 10.1353/cdr.2019.0020
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  1. Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama by Eleanor Johnson (review)
  2. Clifford Davidson
  3. pp. 287-290
  4. DOI: 10.1353/cdr.2019.0021
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  1. Acting Up: Staging the Subject in Enlightenment France by Jeffrey M. Leichman (review)
  2. Mechele Leon
  3. pp. 290-293
  4. DOI: 10.1353/cdr.2019.0022
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  1. The Urban Plays of the Early Abbey Theatre: Beyond O'Casey by Elizabeth Mannion (review)
  2. Patrick Lonergan
  3. pp. 293-296
  4. DOI: 10.1353/cdr.2019.0023
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  1. Shakespeare's Big Men: Tragedy and the Problem of Resentment by Richard van Oort (review)
  2. Andrew Moore
  3. pp. 297-299
  4. DOI: 10.1353/cdr.2019.0024
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  1. Vision and Audience in Medieval Drama: A Study of The Castle of Perseverance by Andrea Louise Young (review)
  2. Matthew Sergi
  3. pp. 299-302
  4. DOI: 10.1353/cdr.2019.0025
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  1. Contributors
  2. pp. 303-304
  3. DOI: 10.1353/cdr.2019.0026
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