1. Morphologie de la richesse chez Balzac
  2. Francesco Spandri
  3. pp. 261-274
  4. DOI: 10.1353/frf.2020.0021
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  1. Le "Napoléon de la réclame": l'antonomase, une "tropomanie" dix-neuvièmiste au prisme de la presse satirique
  2. Luca Di Gregorio
  3. pp. 275-294
  4. DOI: 10.1353/frf.2020.0022
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  1. The Absurdity of the Aftermath in Daoud's Meursault, contre-enquête
  2. Catherine Talley
  3. pp. 295-309
  4. DOI: 10.1353/frf.2020.0023
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  1. Re-Gendering the Hold: Fabienne Kanor's Ecological "Quarrel with History"
  2. Franck H. Andrianarivo
  3. pp. 311-326
  4. DOI: 10.1353/frf.2020.0024
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  1. Screening the Unwitnessed: An Analysis of the Close-Up in La noire de . . .
  2. Andrew Jones
  3. pp. 327-347
  4. DOI: 10.1353/frf.2020.0025
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  1. Self-Narrative, the Law, and Garden Spaces in Sylvaine Dampierre's Un Enclos
  2. Lisa Connell
  3. pp. 349-364
  4. DOI: 10.1353/frf.2020.0026
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  1. The Tongue-Tied Imagination: Decolonizing Literary Modernity in Senegal by Tobias Warner (review)
  2. Brian Valente-Quinn
  3. pp. 365-367
  4. DOI: 10.1353/frf.2020.0027
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  1. Screening Youth: Contemporary French and Francophone Cinema ed. by Romain Chareyon and Gilles Viennot (review)
  2. Leon Sachs
  3. pp. 367-369
  4. DOI: 10.1353/frf.2020.0028
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  1. La Commune de 1871: Une relecture ed. by Marc César and Laure Godineau (review)
  2. Daryl Lee
  3. pp. 370-372
  4. DOI: 10.1353/frf.2020.0029
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  1. Exterranean: Extraction in the Humanist Anthropocene by Phillip John Usher (review)
  2. Antónia Szabari
  3. pp. 372-374
  4. DOI: 10.1353/frf.2020.0030
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