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Table of Contents

  1. Do Not Say That It is Mine: The Nature of Sound in Shelley's Late Lyrics
  2. Jordan Burke
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/srm.2021.0000
  5. restricted access
  1. "His lips with joy they burr": Onomatopoeia in Wordsworth's "The Idiot Boy"
  2. Megan Quinn
  3. pp. 27-56
  4. DOI: https://doi.org/10.1353/srm.2021.0001
  5. restricted access
  1. Wordsworth and Reading's Promise
  2. Stacey McDowell
  3. pp. 57-78
  4. DOI: https://doi.org/10.1353/srm.2021.0002
  5. restricted access
  1. Jane Austen's Allegories of Mind: Memory Fiction in Mansfield Park
  2. Sarah Eron
  3. pp. 79-106
  4. DOI: https://doi.org/10.1353/srm.2021.0003
  5. restricted access
  1. The Calamity Form: On Poetry and Social Life by Anahid Nersessian (review)
  2. Ian Balfour
  3. pp. 107-110
  4. DOI: https://doi.org/10.1353/srm.2021.0006
  5. restricted access
  1. Black Prometheus: Race and Radicalism in the Age of Atlantic Slavery by Jared Hickman (review)
  2. Michael Drexler
  3. pp. 110-113
  4. DOI: https://doi.org/10.1353/srm.2021.0005
  5. restricted access
  1. Defending Privilege: Rights, Status, and Legal Peril in the British Novel by Nicole Mansfield Wright (review)
  2. Anne Frey
  3. pp. 113-116
  4. DOI: https://doi.org/10.1353/srm.2021.0008
  5. restricted access
  1. The Wordsworth-Coleridge Circle and the Aesthetics of Disability by Emily B. Stanback (review)
  2. Jared S. Richman
  3. pp. 116-120
  4. DOI: https://doi.org/10.1353/srm.2021.0007
  5. restricted access
  1. Notes on Contributors
  3. pp. 121-122
  4. DOI: https://doi.org/10.1353/srm.2021.0004
  5. restricted access