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Table of Contents

Poetry

  1. Crystal
  2. Bruce Bond
  3. p. 48
  4. DOI: https://doi.org/10.1353/thr.2021.0007
  5. restricted access
  1. Self-Portrait, 2085
  2. Brian Brodeur
  3. p. 49
  4. DOI: https://doi.org/10.1353/thr.2021.0008
  5. restricted access
  1. Sunbathing in Eternity
  2. Lucy Bucknell
  3. pp. 72-73
  4. DOI: https://doi.org/10.1353/thr.2021.0016
  5. restricted access
  1. From Ischia, and: Illuminations
  2. Chad Davidson
  3. pp. 45-47
  4. DOI: https://doi.org/10.1353/thr.2021.0006
  5. restricted access
  1. Bargain Circus
  2. Boris Dralyuk
  3. p. 69
  4. DOI: https://doi.org/10.1353/thr.2021.0014
  5. restricted access
  1. Coming Light
  2. Nicholas Friedman
  3. p. 57
  4. DOI: https://doi.org/10.1353/thr.2021.0012
  5. restricted access
  1. This Coffee Pot
  2. Midge Goldberg
  3. pp. 70-71
  4. DOI: https://doi.org/10.1353/thr.2021.0015
  5. restricted access
  1. Woodstock '69, and: The Princess Borghese Breaks Up with Talma on Lake Bourget (Sept. 1813)
  2. George Green
  3. pp. 23-25
  4. DOI: https://doi.org/10.1353/thr.2021.0003
  5. restricted access
  1. Overpass Ivy
  2. Mark Jarman
  3. pp. 26-27
  4. DOI: https://doi.org/10.1353/thr.2021.0004
  5. restricted access
  1. When I Become Your House
  2. Tina Kelley
  3. p. 87
  4. DOI: https://doi.org/10.1353/thr.2021.0018
  5. restricted access
  1. This Time Machine . . .
  2. Charles Martin
  3. pp. 98-103
  4. DOI: https://doi.org/10.1353/thr.2021.0020
  5. restricted access
  1. The Bait, and: Bon Voyage
  2. Traci O'Dea
  3. pp. 50-51
  4. DOI: https://doi.org/10.1353/thr.2021.0009
  5. restricted access
  1. Panopticon
  2. Aaron Poochigian
  3. pp. 55-56
  4. DOI: https://doi.org/10.1353/thr.2021.0011
  5. restricted access
  1. Brooklyn Walk-Up
  2. Michael Waters
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/thr.2021.0000
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Fiction

  1. Life On Mars
  2. Michael Brown Jr.
  3. pp. 104-122
  4. DOI: https://doi.org/10.1353/thr.2021.0021
  5. restricted access
  1. The Replacement
  2. Madeline Kearin
  3. pp. 28-44
  4. DOI: https://doi.org/10.1353/thr.2021.0005
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  1. Reunited
  2. Anne-Laure Zevi, Liesl Schillinger
  3. pp. 58-68
  4. DOI: https://doi.org/10.1353/thr.2021.0013
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Features

  1. Five Poems
  2. Charles Baudelaire, Ryan Wilson
  3. pp. 6-22
  4. DOI: https://doi.org/10.1353/thr.2021.0002
  5. restricted access
  1. Stitching and Unstitching: Fabrications in Othello
  2. Devika Brendon
  3. pp. 74-86
  4. DOI: https://doi.org/10.1353/thr.2021.0017
  5. restricted access
  1. "The Joy of The Rus'": Literature and Food
  2. Jean McGarry
  3. pp. 88-97
  4. DOI: https://doi.org/10.1353/thr.2021.0019
  5. restricted access
  1. Enrico Riley: Recent Work
  2. Karen Wilkin
  3. pp. 52-54
  4. DOI: https://doi.org/10.1353/thr.2021.0010
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Reviews

  1. Guillotine by Eduardo C. Corral (review)
  2. John Wall Barger
  3. pp. 142-146
  4. DOI: https://doi.org/10.1353/thr.2021.0025
  5. restricted access
  1. Empires by John Balaban (review)
  2. Robert Bernard Hass
  3. pp. 146-150
  4. DOI: https://doi.org/10.1353/thr.2021.0026
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  1. 3 Nights of the Perseids by Ned Balbo, and: The Cylburn Touch-Me-Nots by Ned Balbo (review)
  2. Lucas Jacob
  3. pp. 157-162
  4. DOI: https://doi.org/10.1353/thr.2021.0028
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  1. On Seamus Heaney by R. F. Foster (review)
  2. Jeffrey Meyers
  3. pp. 150-157
  4. DOI: https://doi.org/10.1353/thr.2021.0027
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  1. Inside Story: How to Write by Martin Amis (review)
  2. William H. Pritchard
  3. pp. 138-142
  4. DOI: https://doi.org/10.1353/thr.2021.0024
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  1. Formal Protests: Dance, Race, and the Pandemic (review)
  2. Jay Rogoff
  3. pp. 132-138
  4. DOI: https://doi.org/10.1353/thr.2021.0023
  5. restricted access

Contributors

  1. Notes on Contributors
  2. pp. 163-166
  3. DOI: https://doi.org/10.1353/thr.2021.0029
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