In this Issue
The mission of The Hopkins Review is to publish today’s vital voices and visions in literature, culture, criticism, public-facing scholarship, and the arts. Established in 1947 by Elliott Coleman and relaunched in 2007 by John T. Irwin, it celebrated its 15th year of continuous publishing in 2022 with a commitment to creative excellence and its dynamic, diverse, and inclusive present and future.
Contributors to The Hopkins Review have included literary and scholarly luminaries such as John Barth, Donald Barthelme, Harold Bloom, Stephanie Burt, Erica Dawson, Stephen Dixon, Denis Donoghue, Claudia Emerson, Tony Eprile, Marilyn Hacker, Terrance Hayes, Vanessa Hua, Millard Kaufman, Frank Kermode, Richard A. Macksey, Jill McCorkle, Shane McCrae, Alice McDermott, Carl Phillips, Natalie Shapero, A. E. Stallings, Adrienne Su, Colm Tóibín, Helen Vendler, Claire Vaye Watkins, Afaa M. Weaver, C. Dale Young, and many others.
published by
Johns Hopkins University Pressviewing issue
Volume 14, Number 1, Winter 2021Table of Contents
- Five Poems
- pp. 6-22
- DOI: https://doi.org/10.1353/thr.2021.0002
- Overpass Ivy
- pp. 26-27
- DOI: https://doi.org/10.1353/thr.2021.0004
- The Replacement
- pp. 28-44
- DOI: https://doi.org/10.1353/thr.2021.0005
- Crystal
- p. 48
- DOI: https://doi.org/10.1353/thr.2021.0007
- Panopticon
- pp. 55-56
- DOI: https://doi.org/10.1353/thr.2021.0011
- Reunited
- pp. 58-68
- DOI: https://doi.org/10.1353/thr.2021.0013
- This Coffee Pot
- pp. 70-71
- DOI: https://doi.org/10.1353/thr.2021.0015
- Sunbathing in Eternity
- pp. 72-73
- DOI: https://doi.org/10.1353/thr.2021.0016
- This Time Machine . . .
- pp. 98-103
- DOI: https://doi.org/10.1353/thr.2021.0020
- Life On Mars
- pp. 104-122
- DOI: https://doi.org/10.1353/thr.2021.0021
- Film Chronicle dir. by Akira Kurosawa, and: Stranger on the Third Floor by dir. by Boris Ingster, and: Spellbound dir. by Alfred Hitchcock, and: The Big Lebowski dir. by Joel and Ethan Coen, and: An American in Paris dir. by Vincente Minnelli, and: The Kid dir. by Charlie Chaplin, and: Le Grand Amour dir. by Pierre Étaix, and: Wild Strawberries dir. by Ingmar Bergman, and: A Midsummer Night's Dream dir. by Peter Hall (review)
- pp. 123-131
- DOI: https://doi.org/10.1353/thr.2021.0022
- Notes on Contributors
- pp. 163-166
- DOI: https://doi.org/10.1353/thr.2021.0029
Previous Issue
Next Issue
Additional Information
Copyright
Copyright © The Johns Hopkins University Press and its Authors.
