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  2. Anna Betbeze
  3. p. 1
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  1. TDR Moves to Cambridge University Press
  2. Richard Schechner, Holly O'Neill
  3. p. 8
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  1. Sally Banes 1950–2020
  2. André Lepecki
  3. pp. 9-11
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  1. Mary Overlie 1946–2020
  2. Tony Perucci
  3. pp. 12-14
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  1. Dreaming New Orleans: Desire, Cemeteries, and Elysian Fields
  2. Joseph Roach
  3. pp. 15-39
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  1. La Reprise: Histoire(s) du théâtre
  2. Milo Rau, Ensemble
  3. pp. 40-53
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  1. Holding a Mirror Up to Theatre: Milo Rau's La Reprise: Histoire(s) du théâtre (I)
  2. Carol Martin
  3. pp. 54-61
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  1. A Radically Unfinished Dance: Contact Improvisation in a Time of Social Distance
  2. Danielle Goldman
  3. pp. 62-78
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  1. The Director's Process: An Interview with Rachel Chavkin
  2. Richard Schechner
  3. pp. 79-94
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  1. Staging the Great Victory: Weaponizing Story, Song, and Spectacle in Russia's Wars of History and Memory
  2. Catherine Schuler
  3. pp. 95-123
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  1. Dances with Robots: Choreographing, Correcting, and Performing with Moving Machines
  2. Catie Cuan
  3. pp. 124-146
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  1. Entertaining the Forgotten: Southern Governors and the Performance of Populism
  2. Weston Twardowski, Gary Alan Fine
  3. pp. 144-166
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  1. To Applied Theatre, with Love
  2. James Thompson
  3. pp. 167-179
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  1. Profound Connectivity: A Social Life of Music during the Pandemic
  2. Gelsey Bell
  3. pp. 180-188
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  1. Hadestown: Nontraditional Casting, Race, and Capitalism
  2. Nia Wilson
  3. pp. 188-192
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  1. Fiery Temporalities in Theatre and Performance: The Initiation of History by Maurya Wickstrom (review)
  2. Tracy C. Davis
  3. pp. 193-194
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  1. Provocative Eloquence: Theater, Violence, and Antislavery Speech in the Antebellum United States by Laura L. Mielke (review)
  2. Kellen Hoxworth
  3. pp. 195-196
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  1. Archiving an Epidemic: Art, AIDS, and the Queer Chicanx Avant-Garde by Robb Hernández (review)
  2. Marc Arthur
  3. pp. 197-198
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  1. Acts of Transgression: Contemporary Live Art in South Africa ed. by Jay Pather and Catherine Boulle (review)
  2. Marcia Blumberg
  3. pp. 199-201
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  1. Real Theatre: Essays in Experience by Paul Rae, and: Insecurity: Perils and Products of Theatres of the Real by Jenn Stephenson (review)
  2. Carol Martin
  3. pp. 201-205
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  1. More Books
  2. Amy Yourd
  3. pp. 205-207
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  1. Orthography Is Political
  2. Richard Schechner
  3. pp. 208-217
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  1. About Orthography
  2. pp. 210-217
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