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In this Issue

Table of Contents

  1. Personalia 2020
  2. Nicole Fischer
  3. pp. A1-A42
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  1. From the Editors
  2. p. vii
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Articles

  1. Introduction
  2. Hannah Vandegrift Eldridge, Sabine Gross
  3. pp. 1-13
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  1. Rhythm, the Political, and the Human: Poetic Thinking and the Construction of Reality
  2. Marko Pajević
  3. pp. 14-29
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  1. Regularizing Rhythms: Meter as Prescription in Ninth-Century German
  2. Katerina Somers
  3. pp. 30-49
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  1. Disruption: On the Rhythm of Radical Politics in Uwe Timm's Rot (Red)
  2. David D. Kim
  3. pp. 50-70
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  1. ,,Nur der Rhythmus interessiert“.: Überlegungen zum Neuen Hörspiel
  2. Britta Herrmann
  3. pp. 71-98
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  1. Asynchronicity of Sound and Vision. Towards a Feminist Semiotics of Cinematic Rhythm
  2. Sonja Boos
  3. pp. 99-116
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Book Reviews

  1. The Edinburgh Companion to Literature and Music ed. by Delia da Sousa Correa (review)
  2. Rolf J. Goebel
  3. pp. 117-119
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  1. Diskurse des Sonalen. Klang – Kunst – Kultur by Britta Herrmann and Lars Korten (review)
  2. Hannah V. Eldridge
  3. pp. 119-122
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  1. Eardrums: Literary Modernism as Sonic Warfare by Tyler Whitney (review)
  2. David Imhoof
  3. pp. 126-128
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  1. The Oxford Handbook of Faust in Music ed. by Lorna Fitzsimmons and Charles McKnight (review)
  2. Nicholas Vazsonyi
  3. pp. 128-131
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  1. Rethinking Black German Studies: Approaches, Interventions and Histories ed. by Tiffany N. Florvil and Vanessa D. Plumly (review)
  2. Marilyn Sephocle
  3. pp. 131-134
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  1. Pictorial Affects, Senses of Rupture: On the Poetics and Culture of Popular German Cinema, 1910–1930 by Michael Wedel (review)
  2. Kristin Thompson
  3. pp. 134-136
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  1. Mediendiktatur Nationalsozialismus by Erhard Schütz (review)
  2. Justin Court
  3. pp. 136-138
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  1. Screening Transcendence: Film under Austrofascism and the Hollywood Hope, 1933–1938 by Robert Dassanowsky (review)
  2. Marton Marko
  3. pp. 138-140
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  1. Dark Lens: Imaging Germany, 1945 by Françoise Meltzer (review)
  2. Stephen Brockmann
  3. pp. 142-144
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  1. The Films of Konrad Wolf: Archive of the Revolution by Larson Powell (review)
  2. Angelos Koutsourakis
  3. pp. 144-146
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  1. Toward Fewer Images: The Work of Alexander Kluge by Philipp Ekardt (review)
  2. Kaspar Renner
  3. pp. 147-149
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  1. Werner Herzog: Filmmaker and Philosopher by Richard Eldridge (review)
  2. Laurie Johnson
  3. pp. 149-151
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  1. Fitzcarraldo by Lutz Koepnick, and: Phoenix by Brad Prager, and: Wings of Desire by Christian Rogowski (review)
  2. Jeanne Schueller
  3. pp. 152-155
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  1. Literaturgeschichte der deutschen Einheit 1989–2000. Fremdheit zwischen Ost und West by Arne Born (review)
  2. Anke S. Biendarra
  3. pp. 158-160
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  1. Fatih Akın's Cinema and the New Sound of Europe by Berna Gueneli (review)
  2. Florian Gassner
  3. pp. 161-162
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  1. Movement and Performance in Berlin School Cinema by Olivia Landry (review)
  2. Hester Baer
  3. pp. 163-164
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