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Table of Contents

  1. Sources of the Self(ie): An Introduction to the Study of Autofiction in English
  2. Myra Bloom
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/esc.2019.0000
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  1. She Got Up and Went Away: Rachel Cusk on Making an Exit
  2. Karen Valihora
  3. pp. 19-35
  4. DOI: https://doi.org/10.1353/esc.2019.0007
  5. restricted access
  1. A Life in Transit: Spatial Biographies of Alice Munro’s Artist Figures
  2. Kasia Van Schaik
  3. pp. 37-59
  4. DOI: https://doi.org/10.1353/esc.2019.0008
  5. restricted access
  1. From Self-fictionalization to Self-(dis)engagement: Autofiction in Frédéric Beigbeder’s Windows on the World
  2. Eric Chevrette
  3. pp. 61-83
  4. DOI: https://doi.org/10.1353/esc.2019.0001
  5. restricted access
  1. Celebrating the Self, Remembering the Body: Desire, Identity, and the Confessional Narrative in Autofictional Verse
  2. Michael Skafidas
  3. pp. 85-111
  4. DOI: https://doi.org/10.1353/esc.2019.0006
  5. restricted access
  1. The Absolute Self(ie): How Autofiction Writes the Relational
  2. Chelsea Largent
  3. pp. 113-140
  4. DOI: https://doi.org/10.1353/esc.2019.0003
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  1. Becoming (Trans)ient: Queer Motherhood and Becoming-Queer in Maggie Nelson’s The Argonauts
  2. Yasmina Jaksic
  3. pp. 141-160
  4. DOI: https://doi.org/10.1353/esc.2019.0002
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  1. Ghost Writing the Self: Autofiction, Fictocriticism, and Social Media
  2. Zach Pearl
  3. pp. 161-187
  4. DOI: https://doi.org/10.1353/esc.2019.0004
  5. restricted access
  1. “The Bad Thing that You Are”: Autofiction and the Internet as Competing Modes of Self-Construction in Megan Boyle’s Liveblog
  2. Alois Sieben
  3. pp. 189-210
  4. DOI: https://doi.org/10.1353/esc.2019.0005
  5. restricted access