1. Introduction: The Conference that Couldn't Happen: Accute 2020
  2. Kit Dobson, Allan Pero
  3. pp. 1-4
  4. DOI: 10.1353/esc.2018.0031
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  1. #ACCUTE2020: The Conference that Couldn't Happen
  2. Jennifer Andrews
  3. pp. 5-10
  4. DOI: 10.1353/esc.2018.0025
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  1. Uncanny Academe
  2. Gregory Betts
  3. pp. 11-15
  4. DOI: 10.1353/esc.2018.0027
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  1. Hailing Distance: On Citation and the Pandemic
  2. Sarah Banting
  3. pp. 17-23
  4. DOI: 10.1353/esc.2018.0026
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  1. Notes Toward a Politics of Citation
  2. Naava Smolash
  3. pp. 25-32
  4. DOI: 10.1353/esc.2018.0034
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  1. Beauty as Scholarly Intervention
  2. Carmel Mikol
  3. pp. 33-37
  4. DOI: 10.1353/esc.2018.0032
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  1. Flexible Profession: How Much Can We Bend?
  2. Ann Gagné
  3. pp. 47-50
  4. DOI: 10.1353/esc.2018.0030
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  1. 2020: The End Is the Beginning, and Yet You Go On
  2. Brenna Clarke Gray
  3. pp. 51-54
  4. DOI: 10.1353/esc.2018.0028
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  1. More Noises from Outside the Humanities
  2. Leif Schenstead-Harris
  3. pp. 55-62
  4. DOI: 10.1353/esc.2018.0033
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  1. Ulyssean Influences on Postmodern Identities: Revisiting Timothy Findley's The Wars
  2. Matthew Cormier
  3. pp. 63-85
  4. DOI: 10.1353/esc.2018.0024
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  1. Ursula K. Le Guin's The Dispossessed and the Künstlerroman Tradition
  2. Graham H. Jensen
  3. pp. 87-113
  4. DOI: 10.1353/esc.2018.0035
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  1. Romancing the Purse and Sexualizing the Schoolboy in The Fortunate Blue-coat Boy (1770)
  2. Chantel Lavoie
  3. pp. 115-132
  4. DOI: 10.1353/esc.2018.0036
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  1. Trance Speakers: Femininity and Authorship in Spiritual Séances, 1850–1930 by Claudie Massicotte (review)
  2. S. Brooke Cameron
  3. pp. 133-137
  4. DOI: 10.1353/esc.2018.0037
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  1. Animals in the Age of Revolution by Jane Spencer (review)
  2. Jason Sandhar
  3. pp. 137-139
  4. DOI: 10.1353/esc.2018.0038
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