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In this Issue

Table of Contents

  1. Editorial Comment: The Ambit of Politics and Performance
  2. Sean Metzger
  3. pp. vii-x
  4. DOI: https://doi.org/10.1353/tj.2021.0001
  5. restricted access

Essays

  1. “Experimenting with a New Technique”: Performance and Rehearsal in the Long Civil Rights Movement
  2. Paige A. McGinley
  3. pp. 1-17
  4. DOI: https://doi.org/10.1353/tj.2021.0002
  5. restricted access
  1. Nostalgia and Chronicity: Two Temporalities in the Restaging of AIDS
  2. Marc Arthur
  3. pp. 19-36
  4. DOI: https://doi.org/10.1353/tj.2021.0003
  5. restricted access
  1. Queer Rurality and the Closet Door Ajar on the Contemporary American Stage
  2. Sean F. Edgecomb
  3. pp. 37-59
  4. DOI: https://doi.org/10.1353/tj.2021.0004
  5. restricted access
  1. Becoming Object: Reimagining the Human on Czech “New Theatre” Stages
  2. Dennis C. Beck
  3. pp. 61-81
  4. DOI: https://doi.org/10.1353/tj.2021.0005
  5. restricted access

Performance Reviews

  1. Hamilton: An American Musical by Lin Manuel-Miranda (review)
  2. Patricia Herrera
  3. pp. 83-85
  4. DOI: https://doi.org/10.1353/tj.2021.0014
  5. restricted access
  1. Good Standing by Matthew Greene (review)
  2. Catherine Heiner
  3. pp. 85-86
  4. DOI: https://doi.org/10.1353/tj.2021.0012
  5. restricted access
  1. Les Blancs by Lorraine Hansberry (review)
  2. Dana A. Williams
  3. pp. 87-89
  4. DOI: https://doi.org/10.1353/tj.2021.0019
  5. restricted access
  1. Circle Jerk by Michael Breslin and Patrick Foley (review)
  2. Trevor Boffone
  3. pp. 89-91
  4. DOI: https://doi.org/10.1353/tj.2021.0008
  5. restricted access
  1. The Amen Corner by James Baldwin (review)
  2. Isaiah Matthew Wooden
  3. pp. 91-93
  4. DOI: https://doi.org/10.1353/tj.2021.0027
  5. restricted access
  1. Godspell by John-Michael Tebelak (review)
  2. Dan Venning
  3. pp. 93-95
  4. DOI: https://doi.org/10.1353/tj.2021.0011
  5. restricted access
  1. Make Me Stop Smoking by Rabih Mroué (review)
  2. Matthew Randle-Bent
  3. pp. 95-97
  4. DOI: https://doi.org/10.1353/tj.2021.0020
  5. restricted access
  1. Reinar después de morir by Luis Vélez de Guevara (review)
  2. Esther Fernández
  3. pp. 97-99
  4. DOI: https://doi.org/10.1353/tj.2021.0023
  5. restricted access
  1. One Room: A World Revealed by Andy Bragen et al. (review)
  2. Jeanmarie Higgins
  3. pp. 99-101
  4. DOI: https://doi.org/10.1353/tj.2021.0022
  5. restricted access
  1. The Inheritance by Matthew Lopez (review)
  2. Eric Jorgensen
  3. pp. 101-103
  4. DOI: https://doi.org/10.1353/tj.2021.0028
  5. restricted access
  1. Eraser Mountain by Toshiki Okada (review)
  2. Sarah Lucie
  3. pp. 103-106
  4. DOI: https://doi.org/10.1353/tj.2021.0009
  5. restricted access
  1. The Under Presents by Samantha Gorman and Danny Cannizzaro (review)
  2. Devon Baur
  3. pp. 106-108
  4. DOI: https://doi.org/10.1353/tj.2021.0029
  5. restricted access
  1. Show Me a Good Time by Sean Patten et al. (review)
  2. Daniel Larlham
  3. pp. 108-110
  4. DOI: https://doi.org/10.1353/tj.2021.0026
  5. restricted access

Book Reviews

  1. Visual Experiences in Cinquecento Theatrical Spaces by Javier Berzal de Dios (review)
  2. Robert Henke
  3. pp. 111-112
  4. DOI: https://doi.org/10.1353/tj.2021.0007
  5. restricted access
  1. Shakespeare and Queer Theory by Melissa E. Sanchez (review)
  2. Daniel Juan Gil
  3. pp. 112-114
  4. DOI: https://doi.org/10.1353/tj.2021.0025
  5. restricted access
  1. David Garrick and the Mediation of Celebrity by Leslie Ritchie (review)
  2. Julia H. Fawcett
  3. pp. 114-115
  4. DOI: https://doi.org/10.1353/tj.2021.0024
  5. restricted access
  1. Deborah and Her Sisters: How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage by Jonathan M. Hess (review)
  2. Meri-Jane Rochelson
  3. pp. 115-116
  4. DOI: https://doi.org/10.1353/tj.2021.0015
  5. restricted access
  1. Spectral Characters: Genre and Materiality on The Modern Stage by Sarah Balkin (review)
  2. Katherine Biers
  3. pp. 117-118
  4. DOI: https://doi.org/10.1353/tj.2021.0006
  5. restricted access
  1. Resisting Spirits: Drama Reform and Cultural Transformation in the People’s Republic of China by Maggie Greene (review)
  2. Xing Fan
  3. pp. 118-120
  4. DOI: https://doi.org/10.1353/tj.2021.0013
  5. restricted access
  1. Unlimited Action: The Performance of Extremity in the 1970s by Dominic Johnson (review)
  2. Ivan Bujan
  3. pp. 120-121
  4. DOI: https://doi.org/10.1353/tj.2021.0017
  5. restricted access
  1. The Oxford Handbook of Musical Theatre Screen Adaptations ed. by Dominic McHugh (review)
  2. Jeff Godsey
  3. pp. 121-122
  4. DOI: https://doi.org/10.1353/tj.2021.0021
  5. restricted access
  1. Performing Architectures: Projects, Practices, Pedagogies ed. by Andrew Filmer and Juliet Rufford (review)
  2. David Calder
  3. pp. 123-124
  4. DOI: https://doi.org/10.1353/tj.2021.0010
  5. restricted access
  1. Shakespeare in the Theatre: Trevor Nunn by Russell Jackson (review)
  2. Cary M. Mazer
  3. pp. 124-125
  4. DOI: https://doi.org/10.1353/tj.2021.0016
  5. restricted access
  1. The Theatre and Films of Conor McPherson: Conspicuous Communities by Eamonn Jordan (review)
  2. Susan Cannon Harris
  3. pp. 125-126
  4. DOI: https://doi.org/10.1353/tj.2021.0018
  5. restricted access

Online-Only Supplementary Material

  1. Making Something Happen Despite Borders and Critics: A Conversation with Artistic Leaders of Prague’s Archa Theatre, Ondřej Hrab and Jana Svobodová
  2. Dennis C. Beck, Ondřej Hrab, Jana Svobodová’s
  3. pp. E-1-E-8
  4. DOI: https://doi.org/10.1353/tj.2021.0000
  5. restricted access