1. Editorial Comment: The Ambit of Politics and Performance
  2. Sean Metzger
  3. pp. vii-x
  4. DOI: 10.1353/tj.2021.0001
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  1. “Experimenting with a New Technique”: Performance and Rehearsal in the Long Civil Rights Movement
  2. Paige A. McGinley
  3. pp. 1-17
  4. DOI: 10.1353/tj.2021.0002
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  1. Nostalgia and Chronicity: Two Temporalities in the Restaging of AIDS
  2. Marc Arthur
  3. pp. 19-36
  4. DOI: 10.1353/tj.2021.0003
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  1. Queer Rurality and the Closet Door Ajar on the Contemporary American Stage
  2. Sean F. Edgecomb
  3. pp. 37-59
  4. DOI: 10.1353/tj.2021.0004
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  1. Becoming Object: Reimagining the Human on Czech “New Theatre” Stages
  2. Dennis C. Beck
  3. pp. 61-81
  4. DOI: 10.1353/tj.2021.0005
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  1. Hamilton: An American Musical by Lin Manuel-Miranda (review)
  2. Patricia Herrera
  3. pp. 83-85
  4. DOI: 10.1353/tj.2021.0014
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  1. Good Standing by Matthew Greene (review)
  2. Catherine Heiner
  3. pp. 85-86
  4. DOI: 10.1353/tj.2021.0012
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  1. Les Blancs by Lorraine Hansberry (review)
  2. Dana A. Williams
  3. pp. 87-89
  4. DOI: 10.1353/tj.2021.0019
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  1. Circle Jerk by Michael Breslin and Patrick Foley (review)
  2. Trevor Boffone
  3. pp. 89-91
  4. DOI: 10.1353/tj.2021.0008
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  1. The Amen Corner by James Baldwin (review)
  2. Isaiah Matthew Wooden
  3. pp. 91-93
  4. DOI: 10.1353/tj.2021.0027
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  1. Godspell by John-Michael Tebelak (review)
  2. Dan Venning
  3. pp. 93-95
  4. DOI: 10.1353/tj.2021.0011
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  1. Make Me Stop Smoking by Rabih Mroué (review)
  2. Matthew Randle-Bent
  3. pp. 95-97
  4. DOI: 10.1353/tj.2021.0020
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  1. Reinar después de morir by Luis Vélez de Guevara (review)
  2. Esther Fernández
  3. pp. 97-99
  4. DOI: 10.1353/tj.2021.0023
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  1. One Room: A World Revealed by Andy Bragen et al. (review)
  2. Jeanmarie Higgins
  3. pp. 99-101
  4. DOI: 10.1353/tj.2021.0022
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  1. The Inheritance by Matthew Lopez (review)
  2. Eric Jorgensen
  3. pp. 101-103
  4. DOI: 10.1353/tj.2021.0028
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  1. Eraser Mountain by Toshiki Okada (review)
  2. Sarah Lucie
  3. pp. 103-106
  4. DOI: 10.1353/tj.2021.0009
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  1. The Under Presents by Samantha Gorman and Danny Cannizzaro (review)
  2. Devon Baur
  3. pp. 106-108
  4. DOI: 10.1353/tj.2021.0029
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  1. Show Me a Good Time by Sean Patten et al. (review)
  2. Daniel Larlham
  3. pp. 108-110
  4. DOI: 10.1353/tj.2021.0026
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  1. Visual Experiences in Cinquecento Theatrical Spaces by Javier Berzal de Dios (review)
  2. Robert Henke
  3. pp. 111-112
  4. DOI: 10.1353/tj.2021.0007
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  1. Shakespeare and Queer Theory by Melissa E. Sanchez (review)
  2. Daniel Juan Gil
  3. pp. 112-114
  4. DOI: 10.1353/tj.2021.0025
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  1. David Garrick and the Mediation of Celebrity by Leslie Ritchie (review)
  2. Julia H. Fawcett
  3. pp. 114-115
  4. DOI: 10.1353/tj.2021.0024
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  1. Spectral Characters: Genre and Materiality on The Modern Stage by Sarah Balkin (review)
  2. Katherine Biers
  3. pp. 117-118
  4. DOI: 10.1353/tj.2021.0006
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  1. Resisting Spirits: Drama Reform and Cultural Transformation in the People’s Republic of China by Maggie Greene (review)
  2. Xing Fan
  3. pp. 118-120
  4. DOI: 10.1353/tj.2021.0013
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  1. Unlimited Action: The Performance of Extremity in the 1970s by Dominic Johnson (review)
  2. Ivan Bujan
  3. pp. 120-121
  4. DOI: 10.1353/tj.2021.0017
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  1. The Oxford Handbook of Musical Theatre Screen Adaptations ed. by Dominic McHugh (review)
  2. Jeff Godsey
  3. pp. 121-122
  4. DOI: 10.1353/tj.2021.0021
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  1. Performing Architectures: Projects, Practices, Pedagogies ed. by Andrew Filmer and Juliet Rufford (review)
  2. David Calder
  3. pp. 123-124
  4. DOI: 10.1353/tj.2021.0010
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  1. Shakespeare in the Theatre: Trevor Nunn by Russell Jackson (review)
  2. Cary M. Mazer
  3. pp. 124-125
  4. DOI: 10.1353/tj.2021.0016
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  1. The Theatre and Films of Conor McPherson: Conspicuous Communities by Eamonn Jordan (review)
  2. Susan Cannon Harris
  3. pp. 125-126
  4. DOI: 10.1353/tj.2021.0018
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