1. From the Mast-Head
  2. Brian Yothers
  3. pp. 1-3
  4. DOI: 10.1353/lvn.2021.0000
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  1. Silent Eloquence: Literary Extracts, the Aesthetics of Disability, and Melville’s “Fragments”
  2. Daniel Diez Couch, Michael Anthony Nicholson
  3. pp. 7-23
  4. DOI: 10.1353/lvn.2021.0001
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  1. Clarel the Saracen
  2. Michael Jonik
  3. pp. 24-46
  4. DOI: 10.1353/lvn.2021.0002
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  1. Aranda’s Skeletonizing in “Benito Cereno”: Finding Its Medieval Provenance and Discovering More of Melville’s Response to New World Slavery
  2. Wendy Stallard Flory
  3. pp. 47-63
  4. DOI: 10.1353/lvn.2021.0003
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  1. A Reappraisal of Carl Van Doren’s Role in the Origins of the Melville Revival
  2. A. F. Dunlap Smith
  3. pp. 64-74
  4. DOI: 10.1353/lvn.2021.0004
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  1. Tapping a Source: The Frontispiece to Andreas Cellarius’s Harmonia Macrocosmica, a Template for “After the Pleasure Party”
  2. John M. J. Gretchko
  3. pp. 75-87
  4. DOI: 10.1353/lvn.2021.0005
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  1. A Typee Manuscript Word: Neither “chasten” Nor “xxxxxxxxx” But “character”
  2. David Ketterer
  3. pp. 88-96
  4. DOI: 10.1353/lvn.2021.0006
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  1. The Melville Family in Pittsfield Newspapers, 1848–1891
  2. Warren F. Broderick
  3. pp. 97-102
  4. DOI: 10.1353/lvn.2021.0007
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  1. Frontier Thesis
  2. Ralph James Savarese
  3. p. 105
  4. DOI: 10.1353/lvn.2021.0008
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  1. Moby-Dick Illustrated by Gilbert Wilson: A Celebration of Melville’s 200th Birthday by Herman Melville, and: Unfinished and Unbroken: The Life of Artist Gilbert Wilson by Edward K. Spann (review)
  2. Robert K. Wallace
  3. pp. 109-120
  4. DOI: 10.1353/lvn.2021.0009
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  1. The New Melville Studies ed. by Cody Marrs (review)
  2. Timothy Marr
  3. pp. 121-128
  4. DOI: 10.1353/lvn.2021.0010
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  1. Melville et l’usage des plaisirs by Édouard Marsoin (review)
  2. Jordan Alexander Stein
  3. pp. 129-132
  4. DOI: 10.1353/lvn.2021.0011
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  1. All Astir
  2. Mary K. Bercaw Edwards
  3. pp. 135-145
  4. DOI: 10.1353/lvn.2021.0012
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