In this Issue

Table of Contents

From the Mast-Head

Brian Yothers
pp. 1-3
DOI: https://doi.org/10.1353/lvn.2021.0000
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Silent Eloquence: Literary Extracts, the Aesthetics of Disability, and Melville’s “Fragments”

Daniel Diez Couch, Michael Anthony Nicholson
pp. 7-23
DOI: https://doi.org/10.1353/lvn.2021.0001
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Clarel the Saracen

Michael Jonik
pp. 24-46
DOI: https://doi.org/10.1353/lvn.2021.0002
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Aranda’s Skeletonizing in “Benito Cereno”: Finding Its Medieval Provenance and Discovering More of Melville’s Response to New World Slavery

Wendy Stallard Flory
pp. 47-63
DOI: https://doi.org/10.1353/lvn.2021.0003
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A Reappraisal of Carl Van Doren’s Role in the Origins of the Melville Revival

A. F. Dunlap Smith
pp. 64-74
DOI: https://doi.org/10.1353/lvn.2021.0004
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Tapping a Source: The Frontispiece to Andreas Cellarius’s Harmonia Macrocosmica, a Template for “After the Pleasure Party”

John M. J. Gretchko
pp. 75-87
DOI: https://doi.org/10.1353/lvn.2021.0005
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A Typee Manuscript Word: Neither “chasten” Nor “xxxxxxxxx” But “character”

David Ketterer
pp. 88-96
DOI: https://doi.org/10.1353/lvn.2021.0006
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The Melville Family in Pittsfield Newspapers, 1848–1891

Warren F. Broderick
pp. 97-102
DOI: https://doi.org/10.1353/lvn.2021.0007
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Frontier Thesis

Ralph James Savarese
p. 105
DOI: https://doi.org/10.1353/lvn.2021.0008
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Moby-Dick Illustrated by Gilbert Wilson: A Celebration of Melville’s 200th Birthday by Herman Melville, and: Unfinished and Unbroken: The Life of Artist Gilbert Wilson by Edward K. Spann (review)

Robert K. Wallace
pp. 109-120
DOI: https://doi.org/10.1353/lvn.2021.0009
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The New Melville Studies ed. by Cody Marrs (review)

Timothy Marr
pp. 121-128
DOI: https://doi.org/10.1353/lvn.2021.0010
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Melville et l’usage des plaisirs by Édouard Marsoin (review)

Jordan Alexander Stein
pp. 129-132
DOI: https://doi.org/10.1353/lvn.2021.0011
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All Astir

Mary K. Bercaw Edwards
pp. 135-145
DOI: https://doi.org/10.1353/lvn.2021.0012
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