1. Editors' Page
  2. Stephanie G'schwind, Donald Revell
  3. pp. 1-2
  4. DOI: 10.1353/col.2021.0009
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  1. Walking at Night
  2. Emma Lewis
  3. pp. 3-4
  4. DOI: 10.1353/col.2021.0021
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  1. Winter Lights: Three Scenes
  2. T. Dallas Saylor
  3. pp. 5-6
  4. DOI: 10.1353/col.2021.0031
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  1. Antipodes
  2. Holly Goddard Jones
  3. pp. 7-27
  4. DOI: 10.1353/col.2021.0018
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  1. Livestream
  2. Elly Bookman
  3. p. 28
  4. DOI: 10.1353/col.2021.0003
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  1. The Antlers
  2. Christopher Deweese
  3. p. 29
  4. DOI: 10.1353/col.2021.0006
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  1. Polydipsia
  2. Sara Eliza Johnson
  3. p. 30
  4. DOI: 10.1353/col.2021.0017
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  1. & I
  2. Annette Oxindine
  3. pp. 31-32
  4. DOI: 10.1353/col.2021.0025
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  1. House of Secrets
  2. Molly Rogers
  3. pp. 33-48
  4. DOI: 10.1353/col.2021.0029
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  1. Big Plans for the World
  2. Erica Wright
  3. p. 49
  4. DOI: 10.1353/col.2021.0037
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  1. Assurances
  2. Craig Morgan Teicher
  3. p. 50
  4. DOI: 10.1353/col.2021.0034
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  1. We'll All Be Dead by Morning (Architecture 101)
  2. John Gallaher
  3. p. 51
  4. DOI: 10.1353/col.2021.0012
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  1. To Remove the Death Taint
  2. Kim Garcia
  3. p. 52
  4. DOI: 10.1353/col.2021.0013
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  1. The Sparks Fly Upward
  2. Tim Erwin
  3. pp. 53-68
  4. DOI: 10.1353/col.2021.0010
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  1. Voices Poem
  2. Edith Clare
  3. p. 69
  4. DOI: 10.1353/col.2021.0004
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  1. Garish Abstract Stained Glass Birds
  2. Nate Duke
  3. pp. 70-71
  4. DOI: 10.1353/col.2021.0008
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  1. The Silence around the Sound, and: The Resurrection of the Body
  2. Mary Ann Samyn
  3. pp. 72-73
  4. DOI: 10.1353/col.2021.0030
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  1. The Prize of Shadows
  2. John Poch
  3. p. 74
  4. DOI: 10.1353/col.2021.0027
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  1. A Shared Stillness
  2. Monica Macansantos
  3. pp. 75-88
  4. DOI: 10.1353/col.2021.0023
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  1. Sound
  2. Ellery Beck
  3. p. 89
  4. DOI: 10.1353/col.2021.0002
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  1. Full of Myth
  2. Briggs Helton
  3. p. 90
  4. DOI: 10.1353/col.2021.0016
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  1. Wildflowers (I'm Not Sure)
  2. Alicia Byrne Keane
  3. p. 91
  4. DOI: 10.1353/col.2021.0019
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  1. Atlantic 252
  2. Becca Voelcker
  3. p. 92
  4. DOI: 10.1353/col.2021.0035
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  1. Twenty-Three Safety Manuals
  2. Kim Magowan, Michelle Ross
  3. pp. 93-113
  4. DOI: 10.1353/col.2021.0024
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  1. February in Cambridge
  2. Felicity Sheehy
  3. p. 114
  4. DOI: 10.1353/col.2021.0032
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  1. Slow Singing & Flower Bringing
  2. Anthony Thomas Lombardi
  3. pp. 115-116
  4. DOI: 10.1353/col.2021.0022
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  1. Monsters
  2. David Franke
  3. pp. 117-123
  4. DOI: 10.1353/col.2021.0011
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  1. Great Blue Heron
  2. Isabel Duarte-Gray
  3. p. 124
  4. DOI: 10.1353/col.2021.0007
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  1. Sunday in Northumberland: To the Rock
  2. Regan Good
  3. pp. 125-126
  4. DOI: 10.1353/col.2021.0014
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  1. The Age of Reason
  2. Corey Van Landingham
  3. pp. 127-128
  4. DOI: 10.1353/col.2021.0020
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  1. At the Downtown Kroger
  2. Maria Zoccola
  3. pp. 129-130
  4. DOI: 10.1353/col.2021.0038
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  1. Three Sad Steps to Heaven
  2. William Archila
  3. pp. 131-132
  4. DOI: 10.1353/col.2021.0000
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  1. Endangered Animals
  2. Kathryn Harlan
  3. pp. 133-153
  4. DOI: 10.1353/col.2021.0015
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  1. Catherine of Sienna Stares into the Refrigerator
  2. Alaina Bainbridge
  3. p. 154
  4. DOI: 10.1353/col.2021.0001
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  1. Ode to Wisconsin
  2. Jessica Tanck
  3. p. 155
  4. DOI: 10.1353/col.2021.0033
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  1. The Ladder
  2. Sarah Weck
  3. pp. 156-157
  4. DOI: 10.1353/col.2021.0036
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  1. To The Woman Who, After Complimenting C's Nails, Turns To Me And Says, Sorry, It's A Girl Thing
  2. A. Prevett
  3. p. 158
  4. DOI: 10.1353/col.2021.0028
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  1. Small Hours
  2. Genevieve Payne
  3. pp. 159-160
  4. DOI: 10.1353/col.2021.0026
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  1. Contributor Notes
  2. pp. 161-165
  3. DOI: 10.1353/col.2021.0005
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