1. Audre Lorde Revisited
  2. Amber Jamilla Musser, Lana Lin
  3. pp. 1-15
  4. DOI: 10.1353/asa.2021.0000
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  1. A Decolonial Aesthetic Proposal to the Whitney Biennial 2019: An Interview with Afro-Puerto Rican Contemporary Artist Daniel Lind-Ramos
  2. Carlos Rivera Santana, Daniel Lind-Ramos
  3. pp. 17-27
  4. DOI: 10.1353/asa.2021.0001
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  1. Love Is the Great Subject: A Conversation on Literature, Science, and Social Justice with Rebecca Newberger Goldstein
  2. Rebecca Newberger Goldstein, Helena Feder
  3. pp. 29-48
  4. DOI: 10.1353/asa.2021.0002
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  1. Magnitude: The Aesthetics of Digital Scale
  3. pp. 49-50
  4. DOI: 10.1353/asa.2021.0003
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  1. The Work of Didactic Art in the Information Age
  2. Aubrey Anable
  3. pp. 51-58
  4. DOI: 10.1353/asa.2021.0004
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  1. Microbial Scale and the Undoing of Vision
  2. Gloria CS Kim
  3. pp. 59-67
  4. DOI: 10.1353/asa.2021.0005
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  1. Fukushima Abstractions: Sound of a Million Insects, Light of a Thousand Stars as Analog Data Visualization
  2. Tess Takahashi
  3. pp. 67-77
  4. DOI: 10.1353/asa.2021.0006
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  1. Roundtable on Ligia Lewis
  2. Dixa Ramírez D'Oleo, Catherine Damman, Tina Post
  3. pp. 79-94
  4. DOI: 10.1353/asa.2021.0007
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  1. Lechedevirgen Trimegisto's Inferno Varieté, Queer Mexicanness, and the Aesthetics of Risk
  2. Xiomara Verenice Cervantes-Gómez
  3. pp. 95-122
  4. DOI: 10.1353/asa.2021.0008
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  1. I Will Will Against Your Way: On Black Embodiment and Poetic Discomposure
  2. Tina Post
  3. pp. 123-144
  4. DOI: 10.1353/asa.2021.0009
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  1. Towards a Poetics of Hacked Infrastructure and Leaky Agency: Reading Global Capitalism Through Aase Berg
  2. Marty Cain
  3. pp. 145-166
  4. DOI: 10.1353/asa.2021.0010
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  1. Feeling Coded Time: Temporal Interruptions in Videogames
  2. Christopher Cañete Rodriguez Kelly
  3. pp. 167-187
  4. DOI: 10.1353/asa.2021.0011
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  1. Cities of Air: Data Visualization and Architectural Memory in the Art and Literature of Forced Disappearance
  2. Jesús Costantino
  3. pp. 189-209
  4. DOI: 10.1353/asa.2021.0012
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  1. Across the Threshold of Detectability: Guantánamo in the Work of Debi Cornwall
  2. Alexandra S. Moore
  3. pp. 211-234
  4. DOI: 10.1353/asa.2021.0013
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