In this Issue

Table of Contents

Operatic Prisons: Carcerality on the Stage and in Music

Rudolf Denk, Monika Fludernik
pp. 271-303
DOI: https://doi.org/10.1353/crc.2020.0026
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La Belle Captivated in a Phantom City: Alain Robbe-Grillet’s Visual Writing

Diana Darab
pp. 304-315
DOI: https://doi.org/10.1353/crc.2020.0027
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Politicizing an Intimidated Audience: A Study of the Influences on Saʻdallah Wannous’s Political Theatre

Safi Mahmoud Mahfouz
pp. 316-336
DOI: https://doi.org/10.1353/crc.2020.0028
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Domino’s Philosophy of Luck: A Bataillean Reading*

Troy Michael Bordun
pp. 337-355
DOI: https://doi.org/10.1353/crc.2020.0029
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Roland Le Huenen (1945–2020): Une introduction à une appréciation / An Introduction to an Appreciation

Jonathan Locke Hart
pp. 356-359
DOI: https://doi.org/10.1353/crc.2020.0030
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Le legs balzacien de Roland Le Huenen

Éric Bordas
pp. 360-362
DOI: https://doi.org/10.1353/crc.2020.0031
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Dernier voyage : Hommage à Roland Le Huenen

Sima Farsandaj
pp. 363-364
DOI: https://doi.org/10.1353/crc.2020.0032
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Hommage à Roland

Julie LeBlanc
pp. 365-368
DOI: https://doi.org/10.1353/crc.2020.0033
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Roland Le Huenen: His Life and Work

Jonathan Locke Hart
pp. 369-371
DOI: https://doi.org/10.1353/crc.2020.0034
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Reading Children: Literacy, Property, and the Dilemmas of Childhood in Nineteenth-Century America by Patricia Crain (review)

Brigitte Fielder
pp. 372-374
DOI: https://doi.org/10.1353/crc.2020.0035
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Take Her, She’s Yours by Eva-Lynn Jagoe (review)

Ricky Varghese
pp. 375-378
DOI: https://doi.org/10.1353/crc.2020.0022
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Arresting Cinema: Surveillance in Hong Kong Film by Karen Fang (review)

Jessica Ka Yee Chan
pp. 378-382
DOI: https://doi.org/10.1353/crc.2020.0023
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Orhan Pamuk and the Good of World Literature by Gloria Fisk (review)

Yuqian Cai
pp. 382-386
DOI: https://doi.org/10.1353/crc.2020.0024
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Crime Fiction as World Literature ed. by Louise Nilsson, David Damrosch and Theo D’Haen (review)

Jakob Stougaard-Nielsen
pp. 386-391
DOI: https://doi.org/10.1353/crc.2020.0025
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