In this Issue
American Music publishes articles on American composers, performers, publishers, institutions, events, and the music industry, as well as book and recording reviews, bibliographies, and discographies. Article topics have included the lyricism of Charles Ives, Henry Cowell's "sliding tones," Bernstein's Trouble in Tahiti, Henry Brant's "Spatial Music," the reception and transformation of pop icons such as Presley and Sinatra, and the history and analysis of blues, jazz, folk music, and mixed and emerging musical styles.
published by
University of Illinois Pressviewing issue
Volume 38, Number 4, Winter 2020Table of Contents

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View How a White Supremacist Became Famous for His Black Music: John Powell and Rhapsodie nègre (1918)
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View Indonesian Cultural Diplomacy and the First International Gamelan Festival and Symposium at Expo 86
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View “Something New in the Musical Line”: The Emergence of the Song Recital during the 1870s and 1880s
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View Rites, Rights & Rhythms: A Genealogy of Musical Meaning in Colombia’s Black Pacific by Michael Birenbaum Quintero (review)
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