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In this Issue

Table of Contents

  1. ‘I rebel against the story. I am sure the half of it was never told us’: Elizabeth Stuart Phelps’ ‘The True Story of Guenever’ and Nineteenth-Century Women in the Literary Marketplace
  2. Virginia Blanton, Jennifer Phegley
  3. pp. 3-25
  4. DOI: https://doi.org/10.1353/art.2020.0034
  5. restricted access
  1. The Hero and Severed Heads: Moral Display in the Prose Lancelot
  2. David S. King
  3. pp. 26-40
  4. DOI: https://doi.org/10.1353/art.2020.0035
  5. restricted access
  1. Colgrevance’s Supposed Shame in Ywain and Gawain
  2. Ryan Naughton
  3. pp. 41-55
  4. DOI: https://doi.org/10.1353/art.2020.0036
  5. restricted access
  1. Malory’s ‘Fyne Force’: Motion in Le Morte Darthur
  2. Thomas R. Schneider
  3. pp. 56-69
  4. DOI: https://doi.org/10.1353/art.2020.0037
  5. restricted access
  1. The Year 1000: When Explorers Connected the World – and Globalization Began by Valerie Hansen (review)
  2. Jonathan Good
  3. pp. 70-72
  4. DOI: https://doi.org/10.1353/art.2020.0038
  5. restricted access
  1. Obscene Pedagogies: Transgressive Talk and Sexual Education in Late Medieval Britain by Carissa M. Harris (review)
  2. Amanda Joan Wetmore
  3. pp. 72-73
  4. DOI: https://doi.org/10.1353/art.2020.0039
  5. restricted access
  1. Medieval Women on Film: Essays on Gender, Cinema and History ed. by Kevin J. Harty (review)
  2. Susan Aronstein
  3. pp. 73-75
  4. DOI: https://doi.org/10.1353/art.2020.0040
  5. restricted access
  1. Wolfram von Eschenbach: Dichter der ritterlichen Welt. Leben, Werke, Nachruhm by Joachim Heinzle (review)
  2. Judith Benz
  3. pp. 75-76
  4. DOI: https://doi.org/10.1353/art.2020.0041
  5. restricted access
  1. Xcalibur, The Musical by Stephen Rayne (review)
  2. Kevin J. Harty
  3. pp. 77-79
  4. DOI: https://doi.org/10.1353/art.2020.0042
  5. restricted access