In this Issue

Table of Contents

Prologue

pp. 5-6
DOI: https://doi.org/10.1353/boc.2020.0015
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Articles

Roman Machiavels on the Spanish Stage: Pérez de Montalbán’s Amor, privanza y castigo

Barbara Simerka
pp. 11-31
DOI: https://doi.org/10.1353/boc.2020.0017
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“Que los reyes nunca están lejos para castigar los malos”: Space and the Imperialization of History in Lope de Vega’s El mejor alcalde, el rey

Javier Lorenzo
pp. 33-49
DOI: https://doi.org/10.1353/boc.2020.0011
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Corporate Honor and Conflictive Subjectivity in Calderón’s El alcalde de Zalamea

Charles Oriel
pp. 51-71
DOI: https://doi.org/10.1353/boc.2020.0013
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Tragic Resonance: Listening for Women’s Voices in the Myth of Echo and Narcissus

Margaret R. Greer
pp. 73-101
DOI: https://doi.org/10.1353/boc.2020.0004
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Touchstones

“Inextinguishable Curiosity and Questioning”: The Education of Robert ter Horst

Robert ter Horst, Eleanor ter Horst, Laura R. Bass
pp. 103-115
DOI: https://doi.org/10.1353/boc.2020.0001
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The True Mind of Marriage: Ironies of the Intellect in Lope’s La dama boba

Robert ter Horst
pp. 117-133
DOI: https://doi.org/10.1353/boc.2020.0006
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Reviews

Commedia dell’Arte in Context ed. by Christopher B. Balme, Piermario Vescovo, and Daniele Vianello (review)

Erith Jaffe-Berg
pp. 135-139
DOI: https://doi.org/10.1353/boc.2020.0007
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Nadie fíe su secreto by Pedro Calderón de la Barca (review)

Simon Kroll
pp. 141-143
DOI: https://doi.org/10.1353/boc.2020.0010
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Hearing Voices: Aurality and New Spanish Sound Culture in Sor Juana Inés de la Cruz by Sarah Finley (review)

Alice Brooke
pp. 145-147
DOI: https://doi.org/10.1353/boc.2020.0002
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Science on Stage in Early Modern Spain ed. by Enrique García Santo-Tomás (review)

Shifra Armon
pp. 149-152
DOI: https://doi.org/10.1353/boc.2020.0000
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The Captive Sea: Slavery, Communication, and Commerce in Early Modern Spain and the Mediterranean by Daniel Hershenzon (review)

Kathryn Burns
pp. 153-155
DOI: https://doi.org/10.1353/boc.2020.0003
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The Potency of Pastoral in the Hispanic Baroque by Anne Holloway (review)

Felipe Valencia
pp. 157-159
DOI: https://doi.org/10.1353/boc.2020.0018
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Staging Habla de Negros: Radical Performances of the African Diaspora in Early Modern Spain by Nicholas R. Jones (review)

Emily Weissbourd
pp. 161-163
DOI: https://doi.org/10.1353/boc.2020.0020
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Performing the King Divine: The Early Modern Spanish Aulic Festival by Lucas A. Marchante Aragón (review)

Alejandra B. Osorio
pp. 165-168
DOI: https://doi.org/10.1353/boc.2020.0014
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Images of Discord: Poetics and Politics of the Sacred Image in Fifteenth-Century Spain by Felipe Pereda, and: Crime and Illusion: The Art of Truth in the Spanish Golden Age by Felipe Pereda (review)

Adam Jasienski
pp. 169-174
DOI: https://doi.org/10.1353/boc.2020.0008
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Une épopée ibérique. Alonso de Ercilla et Jerónimo Corte-Real (1569–1589) by Aude Plagnard (review)

Lara Vilà
pp. 175-177
DOI: https://doi.org/10.1353/boc.2020.0019
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“La bella España”: El teatro de Lope de Vega en la Rusia soviética y postsoviética by Veronika Ryjik (review)

David Rodríguez-Solás
pp. 179-181
DOI: https://doi.org/10.1353/boc.2020.0016
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Comedias Parte XVI by Lope de Vega (review)

Anthony J. Grubbs
pp. 183-184
DOI: https://doi.org/10.1353/boc.2020.0005
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Romances de senectud by Lope de Vega (review)

Mark J. Mascia
pp. 185-187
DOI: https://doi.org/10.1353/boc.2020.0012
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A Wild Night in Toledo by Félix Lope de Vega y Carpio, and: 90 Monologues from Classical Spanish Theater in Spanish and English ed. by Barbara Fuchs, Jennifer L. Monti, and Laura Muñoz (review)

Kathleen Jeffs
pp. 189-193
DOI: https://doi.org/10.1353/boc.2020.0009
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