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In this Issue

Table of Contents

  1. Editor's Note
  2. Eero Laine
  3. DOI: https://doi.org/10.1353/dtc.2020.0016
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  1. Fornesian Animality: María Irene Fornés's Challenge to a Politics of Identity
  2. Gwendolyn Alker
  3. pp. 9-28
  4. DOI: https://doi.org/10.1353/dtc.2020.0017
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  1. How Bigger Was Born Anew: Adaptation, Refiguration, and Double Consciousness in Nambi E. Kelley's Native Son
  2. Isaiah Matthew Wooden
  3. pp. 29-43
  4. DOI: https://doi.org/10.1353/dtc.2020.0018
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  1. Burnout Dramaturgy: Revaluing Sleep in Caryl Churchill's Sleepless Plays
  2. Danielle Drees
  3. pp. 45-59
  4. DOI: https://doi.org/10.1353/dtc.2020.0019
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  1. Disability, Sentiment, and the Capabilities Approach: Amy Herzog's Mary Jane
  2. Andrew Kimbrough
  3. pp. 61-79
  4. DOI: https://doi.org/10.1353/dtc.2020.0020
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  1. Lynn Nottage's Theatre of Genocide: Ruined, Rape, and Afropessimism
  2. Ryan Poll
  3. pp. 81-105
  4. DOI: https://doi.org/10.1353/dtc.2020.0021
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  1. Postmodern Violent Conditions in Loher's Innocence
  2. Peter Yang
  3. pp. 107-132
  4. DOI: https://doi.org/10.1353/dtc.2020.0022
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  1. The Apocalypse Will Be Staged: Transformative Efficacy and Affective Atmosphere in Scriabin's Mysterium
  2. Carla Neuss
  3. pp. 133-151
  4. DOI: https://doi.org/10.1353/dtc.2020.0023
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  1. Latinx Theater in the Times of Neoliberalism by Patricia A. Ybarra (review)
  2. Guillermo Aviles-Rodriguez
  3. pp. 155-157
  4. DOI: https://doi.org/10.1353/dtc.2020.0024
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  1. Ecologies of Precarity in Twenty-First Century Theatre: Politics, Affect, Responsibility by Marissia Fragkou (review)
  2. Shelby Brewster
  3. pp. 157-159
  4. DOI: https://doi.org/10.1353/dtc.2020.0025
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  1. Postdramatic Theatre and Form ed. by Michael Shane, Matt Cornish, and Brandon Woolf (review)
  2. Peter A. Campbell
  3. pp. 159-161
  4. DOI: https://doi.org/10.1353/dtc.2020.0026
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  1. Early Modern Theatre and the Figure of Disability by Genevieve Love (review)
  2. Lauren Coker
  3. pp. 162-164
  4. DOI: https://doi.org/10.1353/dtc.2020.0027
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  1. Contemporary Women Stage Directors: Conversations on Craft by Paulette Marty (review)
  2. Jacqueline Goldfinger
  3. pp. 164-166
  4. DOI: https://doi.org/10.1353/dtc.2020.0028
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  1. The Bodies of Others: Drag Dances and Their Afterlives by Selby Wynn Schwartz (review)
  2. Harry Hoke
  3. pp. 166-168
  4. DOI: https://doi.org/10.1353/dtc.2020.0029
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  1. In Search of Our Warrior Mothers: Women Dramatists of the Black Arts Movement by La Donna L. Forsgren (review)
  2. David Krasner
  3. pp. 169-171
  4. DOI: https://doi.org/10.1353/dtc.2020.0030
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  1. America in the Round: Capitalism, Race, and Nation at Washington, DC's Arena Stage by Donatella Galella (review)
  2. Kee-Yoon Nahm
  3. pp. 171-173
  4. DOI: https://doi.org/10.1353/dtc.2020.0031
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  1. Theatre of Real People: Diverse Encounters at Berlin's Hebbel am Ufer and Beyond by Ulrike Garde and Meg Mumford (review)
  2. Jeanne Willcoxon
  3. pp. 173-175
  4. DOI: https://doi.org/10.1353/dtc.2020.0032
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  1. Books Received
  2. pp. 176-182
  3. DOI: https://doi.org/10.1353/dtc.2020.0033
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