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The Journal of Dramatic Theory and Criticism was founded in 1986 at the University of Kansas, Department of Theatre, and publishes full-length articles that contribute to the varied conversations in dramatic theory and criticism, explore the relationship between theory and theatre practice, and/or examine the body of work by an individual author or a recent theoretical or critical trend. The Journal is published semiannually at the University of Kansas: the fall issue is published in December; the spring issue, in June.
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Volume 35, Number 1, Fall 2020Table of Contents

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View How Bigger Was Born Anew: Adaptation, Refiguration, and Double Consciousness in Nambi E. Kelley's Native Son
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View The Apocalypse Will Be Staged: Transformative Efficacy and Affective Atmosphere in Scriabin's Mysterium
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View Ecologies of Precarity in Twenty-First Century Theatre: Politics, Affect, Responsibility by Marissia Fragkou (review)
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View In Search of Our Warrior Mothers: Women Dramatists of the Black Arts Movement by La Donna L. Forsgren (review)
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View America in the Round: Capitalism, Race, and Nation at Washington, DC's Arena Stage by Donatella Galella (review)
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View Theatre of Real People: Diverse Encounters at Berlin's Hebbel am Ufer and Beyond by Ulrike Garde and Meg Mumford (review)
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ISSN | 2165-2686 |
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Print ISSN | 0888-3203 |
Launched on MUSE | 2021-02-06 |
Open Access | No |
Copyright
Copyright © Department of Theatre, University of Kansas