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Front Cover: The editors wish to thank the Historical Museum in Sanok, the gallery of Zdisław Beksiński, and Jaroslaw Serafin for granting permissions to reprint the artist’s images.

We also wish to thank artist Ry McCullough, who takes inspiration from Beksiński’s photography in his cover design.

Studies in the Fantastic

In this Issue

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The Fragmentation and Recovery of Zdzisław Beksiński
Joseph Rex Young
pp. 20-45
DOI: https://doi.org/10.1353/sif.2020.0013

The Dangers of Gothic Sexuality in Crimson Peak and Penny Dreadful
Amy Montz
pp. 46-66
DOI: https://doi.org/10.1353/sif.2020.0014

Stanisław Lem: Against Illusion by Rachel Cordasco
Rachel Cordasco
pp. 92-97
DOI: https://doi.org/10.1353/sif.2020.0016

Everything the light touches is the other: A review of Haunted Data
Ranjodh Singh Dhaliwal
pp. 97-100
DOI: https://doi.org/10.1353/sif.2020.0017

Terror in the Digital Age: Rethinking Horror's "Sensational Address"
Chera Kee
pp. 101-104
DOI: https://doi.org/10.1353/sif.2020.0018

Sounds like Science Fiction: A review of The Sound of Things to Come
Jeremy Lakoff
pp. 104-107
DOI: https://doi.org/10.1353/sif.2020.0019

Notes on the Contributors
pp. 115-116
DOI: https://doi.org/10.1353/sif.2020.0021

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