1. Editorial
  2. pp. 7-8
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  1. 'That's hard': Christopher Marlowe's Doctor Faustus and the Trauma of Reprobation
  2. Mark James Richard Scott
  3. pp. 9-30
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  1. Music, Community, and Middleton's Anti-Masque in The Witch
  2. Andrew Loeb
  3. pp. 31-58
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  1. Narratives of Value in Richard Brome's Dispute with the Salisbury Court
  2. Bradley D. Ryner
  3. pp. 79-94
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  1. 'Noe Place to Talk In': Two More Brawling Playgoers and the 1626 Attempt to Close the Blackfriars Playhouse
  2. Matteo A. Pangallo
  3. pp. 95-102
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  1. The Personation of John Suckling, 1635
  2. James Doelman
  3. pp. 103-112
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  1. Introduction: Rethinking Early Modern Performance
  2. Emily Mayne
  3. pp. 113-122
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  1. 'Players' in Context: Determining Performance in Medieval Accountancy Records
  2. Mark Chambers
  3. pp. 123-138
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  1. Perambulation and Performance in Early Modern Festive Culture
  2. Matthew Woodcock
  3. pp. 139-153
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  1. Performing Early Modern Libel: Expanding the Boundaries of Performance
  2. Clare Egan
  3. pp. 155-168
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  1. Shows of Joy and Malice: Performance, the Star Chamber, and the Celebration of James I's Coronation in Norwich in 1603
  2. Emily Mayne
  3. pp. 169-182
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  1. Afterword
  2. John McGavin
  3. pp. 183-188
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