In this Issue

Table of Contents

Editorial

pp. 7-8
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'That's hard': Christopher Marlowe's Doctor Faustus and the Trauma of Reprobation

Mark James Richard Scott
pp. 9-30
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Music, Community, and Middleton's Anti-Masque in The Witch

Andrew Loeb
pp. 31-58
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'Marston wrote his father-in-law's preachings, and his father-in-law his comedies': Of Obedience, or Ecclesiastical Unity and the Dating of The Malcontent

Richard Dutton
pp. 59-78
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Narratives of Value in Richard Brome's Dispute with the Salisbury Court

Bradley D. Ryner
pp. 79-94
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'Noe Place to Talk In': Two More Brawling Playgoers and the 1626 Attempt to Close the Blackfriars Playhouse

Matteo A. Pangallo
pp. 95-102
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The Personation of John Suckling, 1635

James Doelman
pp. 103-112
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Introduction: Rethinking Early Modern Performance

Emily Mayne
pp. 113-122
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'Players' in Context: Determining Performance in Medieval Accountancy Records

Mark Chambers
pp. 123-138
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Perambulation and Performance in Early Modern Festive Culture

Matthew Woodcock
pp. 139-153
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Performing Early Modern Libel: Expanding the Boundaries of Performance

Clare Egan
pp. 155-168
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Shows of Joy and Malice: Performance, the Star Chamber, and the Celebration of James I's Coronation in Norwich in 1603

Emily Mayne
pp. 169-182
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Afterword

John McGavin
pp. 183-188
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