1. Author’s Note
  2. Thomas Farber
  3. pp. xiii-xiv
  4. DOI: 10.1353/man.2020.0086
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  1. The Ocean Downstairs
  2. pp. 1-4
  3. DOI: 10.1353/man.2020.0071
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  1. Images
  2. pp. 1-171
  3. DOI: 10.1353/man.2020.0125
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  1. Crabs
  2. pp. 5-6
  3. DOI: 10.1353/man.2020.0091
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  1. Almost Unsaid
  2. pp. 7-8
  3. DOI: 10.1353/man.2020.0084
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  1. Fish Story
  2. pp. 9-12
  3. DOI: 10.1353/man.2020.0097
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  1. ‘Oama
  2. pp. 13-16
  3. DOI: 10.1353/man.2020.0112
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  1. Sound Systems
  2. pp. 17-20
  3. DOI: 10.1353/man.2020.0120
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  1. The Long Run, Part One
  2. pp. 21-23
  3. DOI: 10.1353/man.2020.0069
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  1. Coral
  2. pp. 24-26
  3. DOI: 10.1353/man.2020.0090
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  1. The Long Run, Part Two
  2. pp. 27-31
  3. DOI: 10.1353/man.2020.0070
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  1. Bemoaning and the Future Imperfect
  2. pp. 34-36
  3. DOI: 10.1353/man.2020.0124
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  1. Monk Seals
  2. pp. 37-40
  3. DOI: 10.1353/man.2020.0110
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  1. Dolphinology
  2. pp. 43-47
  3. DOI: 10.1353/man.2020.0093
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  1. Re Snow Leopards
  2. pp. 48-49
  3. DOI: 10.1353/man.2020.0118
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  1. Paradise, 2018
  2. pp. 51-52
  3. DOI: 10.1353/man.2020.0113
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  1. Break of Day
  2. pp. 53-58
  3. DOI: 10.1353/man.2020.0087
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  1. Time’s Fool #1
  2. pp. 59-61
  3. DOI: 10.1353/man.2020.0072
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  1. Aging in Place
  2. p. 62
  3. DOI: 10.1353/man.2020.0083
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  1. Kudlow
  2. p. 63
  3. DOI: 10.1353/man.2020.0102
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  1. Time’s Fool #2
  2. pp. 64-66
  3. DOI: 10.1353/man.2020.0073
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  1. Talking to Myself
  2. pp. 67-69
  3. DOI: 10.1353/man.2020.0122
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  1. Tantrumming
  2. pp. 72-75
  3. DOI: 10.1353/man.2020.0123
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  1. Anatomy Lessons
  2. pp. 76-77
  3. DOI: 10.1353/man.2020.0085
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  1. Presentation of Self
  2. pp. 79-80
  3. DOI: 10.1353/man.2020.0116
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  1. Not Prone to False Optimism
  2. p. 81
  3. DOI: 10.1353/man.2020.0111
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  1. Lost at Sea
  2. pp. 83-87
  3. DOI: 10.1353/man.2020.0105
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  1. Hirsute
  2. pp. 88-91
  3. DOI: 10.1353/man.2020.0100
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  1. Family Planning
  2. pp. 92-94
  3. DOI: 10.1353/man.2020.0096
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  1. Rants
  2. pp. 95-97
  3. DOI: 10.1353/man.2020.0117
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  1. Foreseeable Futures
  2. pp. 98-99
  3. DOI: 10.1353/man.2020.0099
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  1. Interconnections
  2. p. 100
  3. DOI: 10.1353/man.2020.0101
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  1. Aches and Pains
  2. pp. 101-103
  3. DOI: 10.1353/man.2020.0081
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  1. Vocational Training
  2. pp. 104-105
  3. DOI: 10.1353/man.2020.0076
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  1. M&MS
  2. pp. 106-107
  3. DOI: 10.1353/man.2020.0108
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  1. The Interrogative
  2. pp. 108-111
  3. DOI: 10.1353/man.2020.0068
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  1. Mikey
  2. p. 112
  3. DOI: 10.1353/man.2020.0107
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  1. “Lebensweisheitspielerei”
  2. p. 113
  3. DOI: 10.1353/man.2020.0104
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  1. Precedent
  2. pp. 114-115
  3. DOI: 10.1353/man.2020.0115
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  1. Entrails, Late 2019
  2. pp. 117-125
  3. DOI: 10.1353/man.2020.0094
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  1. Masterpieces
  2. pp. 126-129
  3. DOI: 10.1353/man.2020.0106
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  1. Bronk
  2. p. 130
  3. DOI: 10.1353/man.2020.0088
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  1. Word Playing
  2. p. 131
  3. DOI: 10.1353/man.2020.0077
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  1. Unbecomings #1
  2. pp. 132-133
  3. DOI: 10.1353/man.2020.0074
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  1. Ruins, 1999
  2. pp. 136-141
  3. DOI: 10.1353/man.2020.0119
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  1. Chester
  2. pp. 146-148
  3. DOI: 10.1353/man.2020.0089
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  1. Unbecomings #2
  2. p. 149
  3. DOI: 10.1353/man.2020.0075
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  1. About Writing about Water
  2. pp. 150-153
  3. DOI: 10.1353/man.2020.0080
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  1. Swan Songs and Later Words
  2. pp. 154-156
  3. DOI: 10.1353/man.2020.0121
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  1. About Rewriting One’s Books
  2. pp. 157-158
  3. DOI: 10.1353/man.2020.0078
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  1. Acquiring, Deaccessioning
  2. pp. 159-160
  3. DOI: 10.1353/man.2020.0082
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  1. Deliverance
  2. pp. 164-165
  3. DOI: 10.1353/man.2020.0092
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  1. Moloka‘i
  2. pp. 166-169
  3. DOI: 10.1353/man.2020.0109
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  1. Last Writes
  2. p. 171
  3. DOI: 10.1353/man.2020.0095
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  1. Epilogue
  2. pp. 173-174
  3. DOI: 10.1353/man.2020.0098
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  1. Postscript: Late March 2020
  2. pp. 175-177
  3. DOI: 10.1353/man.2020.0114
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  1. About the Author and Photographers
  2. p. 178
  3. DOI: 10.1353/man.2020.0079
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