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Table of Contents

  1. Contributors
  2. DOI: https://doi.org/10.1353/sew.2021.0013
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  1. Linea Nigra
  2. Nikky Finney
  3. pp. 1-13
  4. DOI: https://doi.org/10.1353/sew.2021.0010
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  1. Be Camera, Black-Eyed Aperture
  2. Ross Gay
  3. pp. 14-33
  4. DOI: https://doi.org/10.1353/sew.2021.0011
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  1. Dear Friends
  2. Mary Ruefle
  3. pp. 34-52
  4. DOI: https://doi.org/10.1353/sew.2021.0012
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  1. The Seasons
  2. Michael Robbins
  3. pp. 53-67
  4. DOI: https://doi.org/10.1353/sew.2021.0000
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  1. Honorarium
  2. Brandon Taylor
  3. pp. 68-90
  4. DOI: https://doi.org/10.1353/sew.2021.0001
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  1. Last Night
  2. Kara Olson
  3. pp. 91-92
  4. DOI: https://doi.org/10.1353/sew.2021.0002
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  1. Amongst Reasonable Men
  2. Margot Parmenter
  3. pp. 93-106
  4. DOI: https://doi.org/10.1353/sew.2021.0003
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  1. Poppy
  2. Becky Shirley
  3. pp. 107-130
  4. DOI: https://doi.org/10.1353/sew.2021.0004
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  1. On The 2020 Booker Prize
  2. Tara k. Menon
  3. pp. 131-158
  4. DOI: https://doi.org/10.1353/sew.2021.0005
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  1. Almost Nothing Left of Nowhere: On Don Delillo's The Silence
  2. Justin Taylor
  3. pp. 159-182
  4. DOI: https://doi.org/10.1353/sew.2021.0006
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  1. Unassisted Human Flight
  2. Allan Gurganus
  3. pp. 183-216
  4. DOI: https://doi.org/10.1353/sew.2021.0007
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  1. The Uses of Fear: Notes on Boxing & Novels
  2. Laura Van Den Berg
  3. pp. 217-237
  4. DOI: https://doi.org/10.1353/sew.2021.0008
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