1. Editorial Comment: The Global South?
  2. E.J. Westlake
  3. pp. vii-xii
  4. DOI: 10.1353/tj.2020.0096
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  1. Faustin Linyekula and the Violence of Plague
  2. Laura Edmondson
  3. pp. 405-423
  4. DOI: 10.1353/tj.2020.0097
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  1. Trance States and Sufi Stages: The Poetics and Politics of Murid Theatre in Senegal
  2. Brian Valente-Quinn
  3. pp. 425-442
  4. DOI: 10.1353/tj.2020.0098
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  1. The Jim Crow Global South
  2. Kellen Hoxworth
  3. pp. 443-467
  4. DOI: 10.1353/tj.2020.0099
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  1. Glocal South Sides: Race, Capital, and Performing against Injustice
  2. Loren Kruger
  3. pp. 469-485
  4. DOI: 10.1353/tj.2020.0100
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  1. Festivalizing Down Under: Unsettling the Contact Zone
  2. Ric Knowles
  3. pp. 487-500
  4. DOI: 10.1353/tj.2020.0101
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  1. Angels in America by Tony Kushner (review)
  2. Laura Michiels
  3. pp. 501-503
  4. DOI: 10.1353/tj.2020.0102
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  1. Timon of Athens by William Shakespeare and Thomas Middleton (review)
  2. Joseph A. Heissan Jr.
  3. pp. 503-505
  4. DOI: 10.1353/tj.2020.0103
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  1. Gun & Powder by Angelica Chéri (review)
  2. Meredith Conti
  3. pp. 505-507
  4. DOI: 10.1353/tj.2020.0104
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  1. David Byrne's American Utopia by David Byrne (review)
  2. Tony Gunn
  3. pp. 507-509
  4. DOI: 10.1353/tj.2020.0105
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  1. It's True, It's True, It's True: Artemisia on Trial by Breach Theatre (review)
  2. Ellen Mackay
  3. pp. 509-512
  4. DOI: 10.1353/tj.2020.0106
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  1. Sweet Land by Aja Couchois Duncan and Douglas Kearney (review)
  2. Barbara Fuchs
  3. pp. 512-514
  4. DOI: 10.1353/tj.2020.0107
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  1. What Do We Need To Talk About? Conversations On Zoom by Richard Nelson (review)
  2. David Román
  3. pp. 514-517
  4. DOI: 10.1353/tj.2020.0108
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  1. Pananadem by Potri Ranka Manis (review)
  2. Dan Bacalzo
  3. pp. 517-519
  4. DOI: 10.1353/tj.2020.0109
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  1. House by Daniel MacIvor, and: Last, An Extinction Comedy by Rudy Ramirez (review)
  2. John M. Meyer
  3. pp. 519-522
  4. DOI: 10.1353/tj.2020.0110
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  1. Theatres of Contagion: Transmitting Early Modern to Contemporary Performance ed. by Fintan Walsh (review)
  2. Regina Buccola
  3. pp. 528-530
  4. DOI: 10.1353/tj.2020.0113
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  1. Acting Egyptian: Theatre, Identity, and Political Culture in Cairo, 1869–1930 by Carmen M. K. Gitre (review)
  2. Faisal Adel Hamadah
  3. pp. 530-531
  4. DOI: 10.1353/tj.2020.0114
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  1. South Africa's Shakespeare and the Drama of Language and Identity By Adele Seeff (review)
  2. Gibson Alessandro Cima
  3. pp. 531-533
  4. DOI: 10.1353/tj.2020.0115
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  1. Dancing the World Smaller: Staging Globalism in Mid-Century America By Rebekah J. Kowal (review)
  2. Hannah Kosstrin
  3. pp. 533-534
  4. DOI: 10.1353/tj.2020.0116
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  1. Choreographies of the Living: Bio-Aesthetics in Literature, Art, and Performance by Carrie Rohman (review)
  2. Kari Weil
  3. pp. 534-535
  4. DOI: 10.1353/tj.2020.0117
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  1. (Toward) A Phenomenology of Acting by Phillip Zarrilli (review)
  2. Stanton B. Garner Jr.
  3. pp. 536-537
  4. DOI: 10.1353/tj.2020.0118
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  1. Building Character: The Art and Science of Casting by Amy Cook (review)
  2. Jim Williams
  3. pp. 537-538
  4. DOI: 10.1353/tj.2020.0119
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  1. Worldmaking: Race, Performance, and The Work Of Creativity by Dorinne Kondo (review)
  2. Josephine Lee
  3. pp. 538-540
  4. DOI: 10.1353/tj.2020.0120
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  1. Theatre and Cartographies of Power: Repositioning the Latina/O Americas ed. by Jimmy A. Noriega and Analola Santana (review)
  2. Eric Mayer-García
  3. pp. 540-541
  4. DOI: 10.1353/tj.2020.0121
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  1. Performing Utopia ed. by Rachel Bowditch and Pegge Vissicaro (review)
  2. Kareem Khubchandani
  3. pp. 542-543
  4. DOI: 10.1353/tj.2020.0122
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  1. Performing Statelessness In Europe by S.E. Wilmer (review)
  2. Susan Tenneriello
  3. pp. 543-544
  4. DOI: 10.1353/tj.2020.0123
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  1. Ricanness: Enduring Time in Anti-Colonial Performance by Sandra Ruiz (review)
  2. Leticia Alvarado
  3. pp. 546-547
  4. DOI: 10.1353/tj.2020.0125
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  1. Index to Volume 72
  2. pp. 553-558
  3. DOI: 10.1353/tj.2020.0127
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  1. Envisioning South Asian Theatre in New Zealand: An Interview with Amit Ohdedar and Jacob Rajan
  2. pp. E-1-E-10
  3. DOI: 10.1353/tj.2020.0094
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  1. South Africa and the Future of Post-Apartheid Theatre: An Interview with Mark Dornford-May, Artistic Director of Isango Ensemble
  2. Carla Neuss
  3. pp. E-11-E-18
  4. DOI: 10.1353/tj.2020.0095
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