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Table of Contents

  1. Petrocolonial Circulations and Cinema's Arrival in the Gulf
  2. Firat Oruc
  3. pp. 10-42
  4. DOI: https://doi.org/10.2979/filmhistory.32.3.02
  5. restricted access
  1. Falasteen Ka Matlab Kya? (What Does Palestine Mean?) in Riaz Shahid's Zerqa (1969)
  2. Ada Petiwala
  3. pp. 75-104
  4. DOI: https://doi.org/10.2979/filmhistory.32.3.04
  5. restricted access
  1. On Location: Tracking Secret Agents and Films, between Bombay and Beirut
  2. Samhita Sunya
  3. pp. 105-140
  4. DOI: https://doi.org/10.2979/filmhistory.32.3.05
  5. restricted access
  1. Transnational Ethical Screens: Empathetic Networks in Malayalam Short Films from the Gulf
  2. Darshana Sreedhar Mini
  3. pp. 141-169
  4. DOI: https://doi.org/10.2979/filmhistory.32.3.06
  5. restricted access
  1. Through Her Eyes: An Interview with Fakhri Fay Vaziri
  2. Farzaneh Milani
  3. pp. 170-183
  4. DOI: https://doi.org/10.2979/filmhistory.32.3.07
  5. restricted access
  1. Editors' Note: On a Press Booklet for Black Eyes (1936)
  2. Kaveh Askari, Samhita Sunya
  3. pp. 184-196
  4. restricted access
  1. "Cinema Programmes" of the British Public Relations Office in the Persian Gulf, 1944–1948
  2. Firat Oruc
  3. pp. 197-209
  4. DOI: https://doi.org/10.2979/filmhistory.32.3.09
  5. restricted access
  1. Record with Two Songs from the Iranian Film Qarun's Treasure (1965) Found in India
  2. Claire Cooley
  3. pp. 210-214
  4. DOI: https://doi.org/10.2979/filmhistory.32.3.10
  5. restricted access
  1. The Film Poster and Song Booklet for Zerqa (1969)
  2. Ada Petiwala
  3. pp. 215-220
  4. DOI: https://doi.org/10.2979/filmhistory.32.3.11
  5. restricted access
  1. A 1973 Aramco World Magazine Feature on Location Shooting in Lebanon
  2. Samhita Sunya
  3. pp. 221-231
  4. restricted access
  1. Afterword: The Long Arabesque: Economies of Affect between South Asia and the Middle East
  2. Anupama Prabhala Kapse
  3. pp. 241-254
  4. DOI: https://doi.org/10.2979/filmhistory.32.3.14
  5. restricted access
  1. Recent Books in Film History
  2. pp. 255-259
  3. restricted access