1. Introduction
  2. Lisa Jackson-Schebetta
  3. pp. 1-3
  4. DOI: 10.1353/ths.2020.0000
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  1. Sokyokuchi: Toward a Theory, History, and Practice of Systemic Dramaturgy
  2. Michael Chemers, Michael Sell
  3. pp. 24-52
  4. DOI: 10.1353/ths.2020.0002
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  1. The Value of Inaction: Unions, Labor Codes, and the Cleveland Play House
  2. Jeffrey Ullom
  3. pp. 53-69
  4. DOI: 10.1353/ths.2020.0003
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  1. When for “Witches” We Read “Women”: Advocacy and Ageism in Nineteenth-Century Salem Witchcraft Plays
  2. Chrystyna Dail
  3. pp. 70-88
  4. DOI: 10.1353/ths.2020.0004
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  1. The Lost and Found Playwright: Donald Ogden Stewart and the Theatre of Socialist Commitment
  2. Michael Dennis
  3. pp. 89-114
  4. DOI: 10.1353/ths.2020.0005
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  1. Introduction to the Special Section
  2. Emily Sahakian, Christiana Molldrem Harkulich, Lisa Jackson-Schebetta
  3. pp. 117-122
  4. DOI: 10.1353/ths.2020.0006
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  1. Gestures toward a Hemispheric Theatre History: A Work in Progress
  2. Patricia Ybarra
  3. pp. 123-139
  4. DOI: 10.1353/ths.2020.0007
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  1. Thinking East and West in Nuestra América: Retracing the Footprints of a Latinx Teatro Brigade in Revolutionary Cuba
  2. Eric Mayer-García
  3. pp. 140-168
  4. DOI: 10.1353/ths.2020.0008
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  1. Intercambio: A Visual History of Nuevo Teatro from the Ana Olivarez-Levinson Photography Collection
  2. Ana Olivarez-Levinson, Eric Mayer-García
  3. pp. 169-184
  4. DOI: 10.1353/ths.2020.0009
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  1. Digital Diasporic Tactics for a Decolonized Future: Tweeting in the Wake of #HurricaneMaria
  2. Jessica N. Pabón-Colón
  3. pp. 185-199
  4. DOI: 10.1353/ths.2020.0010
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  1. Performance, Cognition, and the Quest for an Affective Historiography
  2. Leo Cabranes-Grant
  3. pp. 200-211
  4. DOI: 10.1353/ths.2020.0011
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  1. Approaches to Teaching Shakespeare’s English History Plays ed. by Laurie Ellinghausen (review)
  2. Marina J. Bergenstock
  3. pp. 239-240
  4. DOI: 10.1353/ths.2020.0014
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  1. Ivo van Hove: From Shakespeare to David Bowie ed. by Susan Bennett and Sonia Massai (review)
  2. Peter A. Campbell
  3. pp. 241-243
  4. DOI: 10.1353/ths.2020.0015
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  1. Outside Theater: Alliances That Shape Mexico by Stuart A. Day (review)
  2. Sarah Alice Campbell
  3. pp. 243-245
  4. DOI: 10.1353/ths.2020.0016
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  1. Performing Queer Modernism by Penny Farfan (review)
  2. Jonathan Chambers
  3. pp. 245-247
  4. DOI: 10.1353/ths.2020.0017
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  1. Heiner Müller’s Democratic Theater: The Politics of Making the Audience Work by Michael Wood (review)
  2. Stacey Connelly
  3. pp. 248-250
  4. DOI: 10.1353/ths.2020.0018
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  1. The Theatre of Tom Murphy: Playwright Adventurer by Nicholas Grene (review)
  2. Adam Goldstein
  3. pp. 250-253
  4. DOI: 10.1353/ths.2020.0019
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  1. The Nervous Stage: Nineteenth-Century Neuroscience and the Birth of Modern Theatre by Matthew Wilson Smith (review)
  2. Macy Jones
  3. pp. 253-255
  4. DOI: 10.1353/ths.2020.0020
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  1. Directing Shakespeare in America: Historical Perspectives by Charles Ney (review)
  2. Felicia Hardison Londré
  3. pp. 255-257
  4. DOI: 10.1353/ths.2020.0021
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  1. The Formation, Existence, and Deconstruction of the Catholic Stage Guild of Ireland by Alex Cahill (review)
  2. Karin Maresh
  3. pp. 257-260
  4. DOI: 10.1353/ths.2020.0022
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  1. Staged: Show Trials, Political Theater, and the Aesthetics of Judgment by Minou Arjomand (review)
  2. Evleen Nasir
  3. pp. 261-263
  4. DOI: 10.1353/ths.2020.0023
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  1. America in the Round: Capital, Race, and Nation at Washington, DC’s Arena Stage by Donatella Galella (review)
  2. Kathy L. Privatt
  3. pp. 263-265
  4. DOI: 10.1353/ths.2020.0024
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  1. The Risk Theatre Model of Tragedy: Gambling, Drama, and the Unexpected by Edwin Wong (review)
  2. Jayetta Slawson
  3. pp. 265-267
  4. DOI: 10.1353/ths.2020.0025
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  1. Shakesplish: How We Read Shakespeare’s Language by Paula Blank (review)
  2. Eric Thibodeaux-Thompson
  3. pp. 268-270
  4. DOI: 10.1353/ths.2020.0026
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  1. Creole Drama: Theatre and Society in Antebellum New Orleans by Juliane Braun (review)
  2. Weston Twardowski
  3. pp. 270-272
  4. DOI: 10.1353/ths.2020.0027
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  1. Off Sites: Contemporary Performance Beyond Site-Specific by Bertie Ferdman (review)
  2. Amanda Rose Villarreal
  3. pp. 272-275
  4. DOI: 10.1353/ths.2020.0028
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  1. Books Received
  2. pp. 279-280
  3. DOI: 10.1353/ths.2020.0030
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  1. Contributors
  2. pp. 281-285
  3. DOI: 10.1353/ths.2020.0031
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