In this Issue

Table of Contents

Introduction

Lisa Jackson-Schebetta
pp. 1-3
DOI: https://doi.org/10.1353/ths.2020.0000
restricted access

Red, White, and Black: Shakespeare’s The Tempest and the Structuring of Racial Antagonisms in Early Modern England and the New World

Matthieu Chapman
pp. 7-23
DOI: https://doi.org/10.1353/ths.2020.0001
restricted access

Sokyokuchi: Toward a Theory, History, and Practice of Systemic Dramaturgy

Michael Chemers, Michael Sell
pp. 24-52
DOI: https://doi.org/10.1353/ths.2020.0002
restricted access

The Value of Inaction: Unions, Labor Codes, and the Cleveland Play House

Jeffrey Ullom
pp. 53-69
DOI: https://doi.org/10.1353/ths.2020.0003
restricted access

When for “Witches” We Read “Women”: Advocacy and Ageism in Nineteenth-Century Salem Witchcraft Plays

Chrystyna Dail
pp. 70-88
DOI: https://doi.org/10.1353/ths.2020.0004
restricted access

The Lost and Found Playwright: Donald Ogden Stewart and the Theatre of Socialist Commitment

Michael Dennis
pp. 89-114
DOI: https://doi.org/10.1353/ths.2020.0005
restricted access

Introduction to the Special Section

Emily Sahakian, Christiana Molldrem Harkulich, Lisa Jackson-Schebetta
pp. 117-122
DOI: https://doi.org/10.1353/ths.2020.0006
restricted access

Gestures toward a Hemispheric Theatre History: A Work in Progress

Patricia Ybarra
pp. 123-139
DOI: https://doi.org/10.1353/ths.2020.0007
restricted access

Thinking East and West in Nuestra América: Retracing the Footprints of a Latinx Teatro Brigade in Revolutionary Cuba

Eric Mayer-García
pp. 140-168
DOI: https://doi.org/10.1353/ths.2020.0008
restricted access

Intercambio: A Visual History of Nuevo Teatro from the Ana Olivarez-Levinson Photography Collection

Ana Olivarez-Levinson, Eric Mayer-García
pp. 169-184
DOI: https://doi.org/10.1353/ths.2020.0009
restricted access

Digital Diasporic Tactics for a Decolonized Future: Tweeting in the Wake of #HurricaneMaria

Jessica N. Pabón-Colón
pp. 185-199
DOI: https://doi.org/10.1353/ths.2020.0010
restricted access

Performance, Cognition, and the Quest for an Affective Historiography

Leo Cabranes-Grant
pp. 200-211
DOI: https://doi.org/10.1353/ths.2020.0011
restricted access

The Robert A. Schanke Award-Winning Essay, MATC 2019: Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward’s Our Lan’

Julie Burrell
pp. 215-224
DOI: https://doi.org/10.1353/ths.2020.0012
restricted access

The Robert A. Schanke Honorable Mention Essay, MATC 2019: Projections of Race at the Nouveau Cirque: The Clown Acts of Foottit and Chocolat

Matthew McMahan
pp. 225-235
DOI: https://doi.org/10.1353/ths.2020.0013
restricted access

Approaches to Teaching Shakespeare’s English History Plays ed. by Laurie Ellinghausen (review)

Marina J. Bergenstock
pp. 239-240
DOI: https://doi.org/10.1353/ths.2020.0014
restricted access

Ivo van Hove: From Shakespeare to David Bowie ed. by Susan Bennett and Sonia Massai (review)

Peter A. Campbell
pp. 241-243
DOI: https://doi.org/10.1353/ths.2020.0015
restricted access

Outside Theater: Alliances That Shape Mexico by Stuart A. Day (review)

Sarah Alice Campbell
pp. 243-245
DOI: https://doi.org/10.1353/ths.2020.0016
restricted access

Performing Queer Modernism by Penny Farfan (review)

Jonathan Chambers
pp. 245-247
DOI: https://doi.org/10.1353/ths.2020.0017
restricted access

Heiner Müller’s Democratic Theater: The Politics of Making the Audience Work by Michael Wood (review)

Stacey Connelly
pp. 248-250
DOI: https://doi.org/10.1353/ths.2020.0018
restricted access

The Theatre of Tom Murphy: Playwright Adventurer by Nicholas Grene (review)

Adam Goldstein
pp. 250-253
DOI: https://doi.org/10.1353/ths.2020.0019
restricted access

The Nervous Stage: Nineteenth-Century Neuroscience and the Birth of Modern Theatre by Matthew Wilson Smith (review)

Macy Jones
pp. 253-255
DOI: https://doi.org/10.1353/ths.2020.0020
restricted access

Directing Shakespeare in America: Historical Perspectives by Charles Ney (review)

Felicia Hardison Londré
pp. 255-257
DOI: https://doi.org/10.1353/ths.2020.0021
restricted access

The Formation, Existence, and Deconstruction of the Catholic Stage Guild of Ireland by Alex Cahill (review)

Karin Maresh
pp. 257-260
DOI: https://doi.org/10.1353/ths.2020.0022
restricted access

Staged: Show Trials, Political Theater, and the Aesthetics of Judgment by Minou Arjomand (review)

Evleen Nasir
pp. 261-263
DOI: https://doi.org/10.1353/ths.2020.0023
restricted access

America in the Round: Capital, Race, and Nation at Washington, DC’s Arena Stage by Donatella Galella (review)

Kathy L. Privatt
pp. 263-265
DOI: https://doi.org/10.1353/ths.2020.0024
restricted access

The Risk Theatre Model of Tragedy: Gambling, Drama, and the Unexpected by Edwin Wong (review)

Jayetta Slawson
pp. 265-267
DOI: https://doi.org/10.1353/ths.2020.0025
restricted access

Shakesplish: How We Read Shakespeare’s Language by Paula Blank (review)

Eric Thibodeaux-Thompson
pp. 268-270
DOI: https://doi.org/10.1353/ths.2020.0026
restricted access

Creole Drama: Theatre and Society in Antebellum New Orleans by Juliane Braun (review)

Weston Twardowski
pp. 270-272
DOI: https://doi.org/10.1353/ths.2020.0027
restricted access

Off Sites: Contemporary Performance Beyond Site-Specific by Bertie Ferdman (review)

Amanda Rose Villarreal
pp. 272-275
DOI: https://doi.org/10.1353/ths.2020.0028
restricted access

Performing the Progressive Era: Immigration, Urban Life, and Nationalism on Stage ed. by Max Shulman and J. Chris Westgate (review)

Catherine M. Young
pp. 275-278
DOI: https://doi.org/10.1353/ths.2020.0029
restricted access

Books Received

pp. 279-280
DOI: https://doi.org/10.1353/ths.2020.0030
restricted access

Contributors

pp. 281-285
DOI: https://doi.org/10.1353/ths.2020.0031
restricted access

Previous Issue

Volume 38, 2019

Next Issue

Volume 40, 2021