In this Issue
Official journal of the Mid-America Theatre Conference. Devoted to research and excellence in all areas of theatre history. The official journal of the Mid-American Theatre Conference and published by the University of Alabama Press. Since 1981, Theatre History Studies has provided critical, analytical, and descriptive articles on all aspects of theatre history. The journal is devoted to disseminating the highest quality scholarly endeavors in order to promote understanding and discovery of world theatre history.
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The University of Alabama Pressviewing issue
Volume 39, 2020Table of Contents
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View Red, White, and Black: Shakespeare’s The Tempest and the Structuring of Racial Antagonisms in Early Modern England and the New World
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Red, White, and Black: Shakespeare’s The Tempest and the Structuring of Racial Antagonisms in Early Modern England and the New World
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When for “Witches” We Read “Women”: Advocacy and Ageism in Nineteenth-Century Salem Witchcraft Plays
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View When for “Witches” We Read “Women”: Advocacy and Ageism in Nineteenth-Century Salem Witchcraft Plays
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When for “Witches” We Read “Women”: Advocacy and Ageism in Nineteenth-Century Salem Witchcraft Plays
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View Thinking East and West in Nuestra América: Retracing the Footprints of a Latinx Teatro Brigade in Revolutionary Cuba
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Thinking East and West in Nuestra América: Retracing the Footprints of a Latinx Teatro Brigade in Revolutionary Cuba
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View Intercambio: A Visual History of Nuevo Teatro from the Ana Olivarez-Levinson Photography Collection
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Intercambio: A Visual History of Nuevo Teatro from the Ana Olivarez-Levinson Photography Collection
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View The Robert A. Schanke Award-Winning Essay, MATC 2019: Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward’s Our Lan’
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The Robert A. Schanke Award-Winning Essay, MATC 2019: Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward’s Our Lan’
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View The Robert A. Schanke Honorable Mention Essay, MATC 2019: Projections of Race at the Nouveau Cirque: The Clown Acts of Foottit and Chocolat
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The Robert A. Schanke Honorable Mention Essay, MATC 2019: Projections of Race at the Nouveau Cirque: The Clown Acts of Foottit and Chocolat
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View Approaches to Teaching Shakespeare’s English History Plays ed. by Laurie Ellinghausen (review)
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Approaches to Teaching Shakespeare’s English History Plays ed. by Laurie Ellinghausen (review)
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View Heiner Müller’s Democratic Theater: The Politics of Making the Audience Work by Michael Wood (review)
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Heiner Müller’s Democratic Theater: The Politics of Making the Audience Work by Michael Wood (review)
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View The Nervous Stage: Nineteenth-Century Neuroscience and the Birth of Modern Theatre by Matthew Wilson Smith (review)
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The Nervous Stage: Nineteenth-Century Neuroscience and the Birth of Modern Theatre by Matthew Wilson Smith (review)
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View The Formation, Existence, and Deconstruction of the Catholic Stage Guild of Ireland by Alex Cahill (review)
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The Formation, Existence, and Deconstruction of the Catholic Stage Guild of Ireland by Alex Cahill (review)
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View Staged: Show Trials, Political Theater, and the Aesthetics of Judgment by Minou Arjomand (review)
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Staged: Show Trials, Political Theater, and the Aesthetics of Judgment by Minou Arjomand (review)
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View America in the Round: Capital, Race, and Nation at Washington, DC’s Arena Stage by Donatella Galella (review)
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America in the Round: Capital, Race, and Nation at Washington, DC’s Arena Stage by Donatella Galella (review)
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View The Risk Theatre Model of Tragedy: Gambling, Drama, and the Unexpected by Edwin Wong (review)
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The Risk Theatre Model of Tragedy: Gambling, Drama, and the Unexpected by Edwin Wong (review)
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View Performing the Progressive Era: Immigration, Urban Life, and Nationalism on Stage ed. by Max Shulman and J. Chris Westgate (review)
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Performing the Progressive Era: Immigration, Urban Life, and Nationalism on Stage ed. by Max Shulman and J. Chris Westgate (review)
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| ISSN | 2166-9953 |
|---|---|
| Print ISSN | 0733-2033 |
| Launched on MUSE | 2020-12-31 |
| Open Access | No |




