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In this Issue

Table of Contents

  1. Composing Music with a Space
  2. Filipe Lopes, Carlos Guedes
  3. pp. 5-22
  4. DOI: https://doi.org/10.1353/pnm.2020.0000
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  1. James Sibley Watson’s The Fall of The House of Usher: Surrealism—Improvisation—Complementary Serendipities
  2. Robert Sholl
  3. pp. 23-69
  4. DOI: https://doi.org/10.1353/pnm.2020.0001
  5. restricted access
  1. Homometry
  2. Tom Johnson
  3. pp. 71-90
  4. DOI: https://doi.org/10.1353/pnm.2020.0002
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  1. Clapping Music: Complexity and Information in Reich’s Rhythm Space
  2. Adolfo Maia Jr.
  3. pp. 91-121
  4. DOI: https://doi.org/10.1353/pnm.2020.0003
  5. restricted access
  1. Matchsticks, Harmonic Space, and Transpositional Networks in the First Movement of György Kurtág’s String Quartet Op. 1
  2. José Oliveira Martins
  3. pp. 123-171
  4. DOI: https://doi.org/10.1353/pnm.2020.0004
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  1. Open Instrumentation and Nonhierarchical Forms of Social Organization: Christian Wolff’s Exercises 1–14 (1973–74)
  2. Jonny Stallings
  3. pp. 173-196
  4. DOI: https://doi.org/10.1353/pnm.2020.0005
  5. restricted access
  1. The Universal Accidental
  2. Ricardo Javier Rademacher Mena
  3. pp. 197-239
  4. DOI: https://doi.org/10.1353/pnm.2020.0006
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Correspondence

  1. In Memoriam: Jerome Kohl
  3. pp. 241-244
  4. DOI: https://doi.org/10.1353/pnm.2020.0007
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Transformations

  1. Transformations: For Flute, B♭ Clarinet, Violin, and Piano
  2. Stephen Truelove
  3. pp. 245-255
  4. DOI: https://doi.org/10.1353/pnm.2020.0008
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Personae

  1. Personae
  3. pp. 260-262
  4. DOI: https://doi.org/10.1353/pnm.2020.0009
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Errata

  1. Errata
  3. p. 263
  4. DOI: https://doi.org/10.1353/pnm.2020.0010
  5. restricted access