In this Issue

Table of Contents

Composing Music with a Space

Filipe Lopes, Carlos Guedes
pp. 5-22
DOI: https://doi.org/10.1353/pnm.2020.0000
restricted access

James Sibley Watson’s The Fall of The House of Usher: Surrealism—Improvisation—Complementary Serendipities

Robert Sholl
pp. 23-69
DOI: https://doi.org/10.1353/pnm.2020.0001
restricted access

Homometry

Tom Johnson
pp. 71-90
DOI: https://doi.org/10.1353/pnm.2020.0002
restricted access

Clapping Music: Complexity and Information in Reich’s Rhythm Space

Adolfo Maia Jr.
pp. 91-121
DOI: https://doi.org/10.1353/pnm.2020.0003
restricted access

Matchsticks, Harmonic Space, and Transpositional Networks in the First Movement of György Kurtág’s String Quartet Op. 1

José Oliveira Martins
pp. 123-171
DOI: https://doi.org/10.1353/pnm.2020.0004
restricted access

Open Instrumentation and Nonhierarchical Forms of Social Organization: Christian Wolff’s Exercises 1–14 (1973–74)

Jonny Stallings
pp. 173-196
DOI: https://doi.org/10.1353/pnm.2020.0005
restricted access

The Universal Accidental

Ricardo Javier Rademacher Mena
pp. 197-239
DOI: https://doi.org/10.1353/pnm.2020.0006
restricted access

In Memoriam: Jerome Kohl

pp. 241-244
DOI: https://doi.org/10.1353/pnm.2020.0007
restricted access

Transformations: For Flute, B♭ Clarinet, Violin, and Piano

Stephen Truelove
pp. 245-255
DOI: https://doi.org/10.1353/pnm.2020.0008
restricted access

Personae

pp. 260-262
DOI: https://doi.org/10.1353/pnm.2020.0009
restricted access

Errata

p. 263
DOI: https://doi.org/10.1353/pnm.2020.0010
restricted access