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Table of Contents

  1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/amu.2021.0006
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  1. Coptic Chant and Maqām: The Modal Heritage of a Liturgical Tradition
  2. Nicholas Ragheb
  3. pp. 4-29
  4. DOI: https://doi.org/10.1353/amu.2021.0007
  5. restricted access
  1. The Classical Khayal and Marathi Popular Music: Unpacking Music Genres and Categories in Maharashtra, India
  2. Aditi Deo
  3. pp. 30-56
  4. DOI: https://doi.org/10.1353/amu.2021.0008
  5. restricted access
  1. Emergence of an Ecumene: Transnational Encounters in South Indian Carnatic Music
  2. Rajeswari Ranganathan
  3. pp. 57-87
  4. DOI: https://doi.org/10.1353/amu.2021.0000
  5. restricted access
  1. Tuning "American Gamelan": Transforming Javanese Gamelan Tunings in North America
  2. Jay M. Arms
  3. pp. 88-120
  4. DOI: https://doi.org/10.1353/amu.2021.0001
  5. restricted access
  1. Turkish Music: Two Titles
  2. Dave Fossum
  3. pp. 121-126
  4. DOI: https://doi.org/10.1353/amu.2021.0005
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  1. Dynamic Korea and Rhythmic Form by Katherine In-Young Lee (review)
  2. Donna Lee Kwon
  3. pp. 126-129
  4. DOI: https://doi.org/10.1353/amu.2021.0003
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  1. Flot Suspendu (Suspended Flow) by Véronique Piron (review)
  2. Garrett Groesbeck
  3. pp. 130-134
  4. DOI: https://doi.org/10.1353/amu.2021.0004
  5. restricted access
  1. About the Contributors
  3. pp. 135-136
  4. DOI: https://doi.org/10.1353/amu.2021.0002
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