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Table of Contents

IMPROVISATION

  1. The Music of Ellen C. Covito: An Interview with You Nakai
  2. You Nakai, Elizabeth Hoffman
  3. pp. 5-20
  4. DOI: https://doi.org/10.1353/pnm.2013.0007
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  1. Improvisation as a Creative Dialogue
  2. Oded Ben-Tal, Caroline Wilkins
  3. pp. 21-39
  4. DOI: https://doi.org/10.1353/pnm.2013.0012
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  1. Focal Points in Collective Free Improvisation
  2. Clément Canonne
  3. pp. 40-55
  4. DOI: https://doi.org/10.1353/pnm.2013.0010
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  1. Allover Method and Holism in Morton Feldman's Graphs
  2. David Cline
  3. pp. 56-98
  4. DOI: https://doi.org/10.1353/pnm.2013.0013
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  1. Composing with a Multitude of Twelve-Tone Entities: Luigi Dallapiccola's Il prigioniero
  2. Paul Sheehan
  3. pp. 99-134
  4. DOI: https://doi.org/10.1353/pnm.2013.0009
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  1. Jacques Hétu's Style Composite: A Transformational Approach to Modal Superimposition
  2. Stephanie Lind
  3. pp. 135-160
  4. DOI: https://doi.org/10.1353/pnm.2013.0015
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A HISTORY OF PERSPECTIVES

  1. No One Perspective: A Retrospective
  2. Elizabeth Hoffman
  3. pp. 161-166
  4. DOI: https://doi.org/10.1353/pnm.2013.0016
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  1. Excerpts from a Conversation with Elizabeth Hoffman
  2. Elizabeth Hoffman, Rachel S. Vandagriff
  3. pp. 167-173
  4. DOI: https://doi.org/10.1353/pnm.2013.0008
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  1. Conceiving Musical Photorealism: An Interview with Richard Beaudoin
  2. Richard Beaudoin, Danick Trottier
  3. pp. 174-195
  4. DOI: https://doi.org/10.1353/pnm.2013.0018
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VARÈSE AND SPACE: IMAGINING-;EXPERIENCING

  1. The Last Word Is: Imagination: A Study of the Spatial Aspects of Varèse's Work (Part I: Written Evidence)
  2. Roger Reynolds
  3. pp. 196-255
  4. DOI: https://doi.org/10.1353/pnm.2013.0014
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  1. A Spatial Interpretation of Edgard Varèse's Ionisation Using Binaural Audio
  2. Paul Hembree, Dustin Donahue
  3. pp. 256-261
  4. DOI: https://doi.org/10.1353/pnm.2013.0011
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  1. Extending Space in Varèse's Interpolations: Extended Stereo Space
  2. Jaime E. Oliver La Rosa
  3. pp. 262-269
  4. DOI: https://doi.org/10.1353/pnm.2013.0017
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