In this Issue

Table of Contents

The Music of Ellen C. Covito: An Interview with You Nakai

You Nakai, Elizabeth Hoffman
pp. 5-20
DOI: https://doi.org/10.1353/pnm.2013.0007
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Improvisation as a Creative Dialogue

Oded Ben-Tal, Caroline Wilkins
pp. 21-39
DOI: https://doi.org/10.1353/pnm.2013.0012
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Focal Points in Collective Free Improvisation

Clément Canonne
pp. 40-55
DOI: https://doi.org/10.1353/pnm.2013.0010
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Allover Method and Holism in Morton Feldman's Graphs

David Cline
pp. 56-98
DOI: https://doi.org/10.1353/pnm.2013.0013
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Composing with a Multitude of Twelve-Tone Entities: Luigi Dallapiccola's Il prigioniero

Paul Sheehan
pp. 99-134
DOI: https://doi.org/10.1353/pnm.2013.0009
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Jacques Hétu's Style Composite: A Transformational Approach to Modal Superimposition

Stephanie Lind
pp. 135-160
DOI: https://doi.org/10.1353/pnm.2013.0015
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No One Perspective: A Retrospective

Elizabeth Hoffman
pp. 161-166
DOI: https://doi.org/10.1353/pnm.2013.0016
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Excerpts from a Conversation with Elizabeth Hoffman

Elizabeth Hoffman, Rachel S. Vandagriff
pp. 167-173
DOI: https://doi.org/10.1353/pnm.2013.0008
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Conceiving Musical Photorealism: An Interview with Richard Beaudoin

Richard Beaudoin, Danick Trottier
pp. 174-195
DOI: https://doi.org/10.1353/pnm.2013.0018
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The Last Word Is: Imagination: A Study of the Spatial Aspects of Varèse's Work (Part I: Written Evidence)

Roger Reynolds
pp. 196-255
DOI: https://doi.org/10.1353/pnm.2013.0014
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A Spatial Interpretation of Edgard Varèse's Ionisation Using Binaural Audio

Paul Hembree, Dustin Donahue
pp. 256-261
DOI: https://doi.org/10.1353/pnm.2013.0011
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Extending Space in Varèse's Interpolations: Extended Stereo Space

Jaime E. Oliver La Rosa
pp. 262-269
DOI: https://doi.org/10.1353/pnm.2013.0017
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