1. What is Phenomenological Music, and What Does It Have to Do with Salvatore Sciarrino?
  2. Aaron Helgeson
  3. pp. 4-36
  4. DOI: 10.1353/pnm.2013.0001
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  1. Points and Lines to Plane: The Influence of the Support in John Cage's Variations II
  2. Alexandre Popoff
  3. pp. 37-78
  4. DOI: 10.1353/pnm.2013.0005
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  1. Meredith Monk: Between the Cracks
  2. Janice Mowery
  3. pp. 79-100
  4. DOI: 10.1353/pnm.2013.0002
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  1. Heteroglossia and Traditional Vocal Genres in Chinese-Western Fusion Concertos
  2. John Winzenburg
  3. pp. 101-140
  4. DOI: 10.1353/pnm.2013.0004
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  1. Resulting Patterns, Palimpsests, and "Pointing Out" the Role of the Listener in Reich's Drumming
  2. Philip Duker
  3. pp. 141-191
  4. DOI: 10.1353/pnm.2013.0000
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  1. Rochberg the Progressive, Revisited: An Analysis of the Third String Quartet
  2. Robert Gross
  3. pp. 192-241
  4. DOI: 10.1353/pnm.2013.0003
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  1. Harold Shapero at Brandeis in memoriam (1920-2013)
  2. Benjamin Boretz
  3. pp. 242-244
  4. DOI: 10.1353/pnm.2013.0006
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