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Table of Contents

  1. What is Phenomenological Music, and What Does It Have to Do with Salvatore Sciarrino?
  2. Aaron Helgeson
  3. pp. 4-36
  4. DOI: https://doi.org/10.1353/pnm.2013.0001
  5. restricted access
  1. Points and Lines to Plane: The Influence of the Support in John Cage's Variations II
  2. Alexandre Popoff
  3. pp. 37-78
  4. DOI: https://doi.org/10.1353/pnm.2013.0005
  5. restricted access
  1. Meredith Monk: Between the Cracks
  2. Janice Mowery
  3. pp. 79-100
  4. DOI: https://doi.org/10.1353/pnm.2013.0002
  5. restricted access
  1. Heteroglossia and Traditional Vocal Genres in Chinese-Western Fusion Concertos
  2. John Winzenburg
  3. pp. 101-140
  4. DOI: https://doi.org/10.1353/pnm.2013.0004
  5. restricted access
  1. Resulting Patterns, Palimpsests, and "Pointing Out" the Role of the Listener in Reich's Drumming
  2. Philip Duker
  3. pp. 141-191
  4. DOI: https://doi.org/10.1353/pnm.2013.0000
  5. restricted access
  1. Rochberg the Progressive, Revisited: An Analysis of the Third String Quartet
  2. Robert Gross
  3. pp. 192-241
  4. DOI: https://doi.org/10.1353/pnm.2013.0003
  5. restricted access
  1. Harold Shapero at Brandeis in memoriam (1920-2013)
  2. Benjamin Boretz
  3. pp. 242-244
  4. DOI: https://doi.org/10.1353/pnm.2013.0006
  5. restricted access