1. Not too Violent: The Fall of Notation in Michael Finnissy's Autumnall for Solo Piano
  2. Georgios Theocharous
  3. pp. 4-27
  4. DOI: 10.1353/pnm.2014.0000
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  1. Multiple Time-Scales in Adès's Rings
  2. Daniel Fox
  3. pp. 28-56
  4. DOI: 10.1353/pnm.2014.0006
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  1. Becoming ... Everything Else: Situating Performance in Public Space and Daily Life
  2. Michael Boyd
  3. pp. 57-80
  4. DOI: 10.1353/pnm.2014.0005
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  1. Kid Algebra: Radiohead's Euclidean and Maximally Even Rhythms
  2. Brad Osborn
  3. pp. 81-105
  4. DOI: 10.1353/pnm.2014.0002
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  1. Music and Politics in the Spain of the 1960s: The Case of Tomás Marco
  2. Roberto Alonso Trillo
  3. pp. 106-133
  4. DOI: 10.1353/pnm.2014.0003
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  1. Helmut Lachenmann's "Sound Types"
  2. Ming Tsao
  3. pp. 217-238
  4. DOI: 10.1353/pnm.2014.0004
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