1. Affect and Improvising Bodies
  2. Chris Stover
  3. pp. 5-66
  4. DOI: 10.1353/pnm.2017.0007
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  1. A Composer's Journey on the Road to Mecca
  2. Chris van Rhyn
  3. pp. 67-83
  4. DOI: 10.1353/pnm.2017.0009
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  1. Apollo's Trip (1971)
  2. Mary Henry
  3. p. 84
  4. DOI: 10.1353/pnm.2017.0004
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  1. Interval Structures in the Music of Carmelo Bernaola: An Approach from PC Set Theory and Textural Analysis
  2. Daniel Moro Vallina
  3. pp. 85-130
  4. DOI: 10.1353/pnm.2017.0006
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  1. Three Approaches to Modularity in Contemporary Music
  2. Christopher Gainey
  3. pp. 131-166
  4. DOI: 10.1353/pnm.2017.0010
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  1. The Sound of Hendrix Playing Bartók: Transpositional Combination in King Crimson
  2. Brett Clement
  3. pp. 167-198
  4. DOI: 10.1353/pnm.2017.0011
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  1. "Open Work" One Step Further: From John Cage to John Zorn
  2. Oksana Nesterenko
  3. pp. 199-217
  4. DOI: 10.1353/pnm.2017.0012
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  1. Love Jazz (1966)
  2. Mary Henry
  3. p. 218
  4. DOI: 10.1353/pnm.2017.0008
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  1. Interview with Stuart Saunders Smith
  2. Krisztina Dér
  3. pp. 219-233
  4. DOI: 10.1353/pnm.2017.0005
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