In this Issue

Table of Contents

Affect and Improvising Bodies

Chris Stover
pp. 5-66
DOI: https://doi.org/10.1353/pnm.2017.0007
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A Composer's Journey on the Road to Mecca

Chris van Rhyn
pp. 67-83
DOI: https://doi.org/10.1353/pnm.2017.0009
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Apollo's Trip (1971)

Mary Henry
p. 84
DOI: https://doi.org/10.1353/pnm.2017.0004
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Interval Structures in the Music of Carmelo Bernaola: An Approach from PC Set Theory and Textural Analysis

Daniel Moro Vallina
pp. 85-130
DOI: https://doi.org/10.1353/pnm.2017.0006
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Three Approaches to Modularity in Contemporary Music

Christopher Gainey
pp. 131-166
DOI: https://doi.org/10.1353/pnm.2017.0010
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The Sound of Hendrix Playing Bartók: Transpositional Combination in King Crimson

Brett Clement
pp. 167-198
DOI: https://doi.org/10.1353/pnm.2017.0011
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"Open Work" One Step Further: From John Cage to John Zorn

Oksana Nesterenko
pp. 199-217
DOI: https://doi.org/10.1353/pnm.2017.0012
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Love Jazz (1966)

Mary Henry
p. 218
DOI: https://doi.org/10.1353/pnm.2017.0008
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Interview with Stuart Saunders Smith

Krisztina Dér
pp. 219-233
DOI: https://doi.org/10.1353/pnm.2017.0005
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